Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of graphite, with stumping, on light-weight yellowish-tan wove paper, laid down on white wove paper, perimeter mounted on cream wove paper.

Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes, 1814/16

Jean Auguste Dominique Ingres

A work made of lithograph in black, with scraping on stone, on light gray china paper laid down using chine collé on white wove paper.

Portrait of Honoré Daumier, 1862

Etienne Carjat

A work made of pen and brown ink, with brush and light brown wash, on ivory laid paper, laid down on cream laid paper.

Damon and Pythias, 1632

Guercino

A work made of black chalk, with touches of stumping and erasing, on mottled blue-gray laid paper, altered to a light gray tone.

Male Nude, 1863/66

Paul Cezanne

A work made of woodcut printed from two blocks (each sawn into two sections) in light green, orange, blue-green, and red-brown ink on ivory japanese paper.

Woman's Head against the Shore, 1899

Edvard Munch

A work made of drypoint in light black on ivory japanese paper.

Study from the Nude of a Girl Standing, 1890

Theodore Roussel

Backstage at the Landscape

Backstage at the Landscape, 1972

Tony Berlant

A work made of lithograph in black on light gray china paper collé, laid down on white wove paper.

Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines", 1883

Odilon Redon

A work made of pastel, with touches of white oil pastel, on light blue wove paper.

Eagle Dance, San Ildefonso, 1917–19

William Penhallow Henderson

A work made of black chalk on paper.

The City Lights, London, n.d.

Joseph Pennell

A work made of persian silk piece. light silk; small flower spray.

Fragment (Dress Fabric), 18th/19th century

A work made of pen and brush and black ink on tan wove paper (discolored to light brown), laid down on thin ivory japanese paper.

Sketches of a Young Woman and a Man, 1904/05

Pablo Picasso

A work made of hanging scroll; ink and light color on silk.

Landscape, Qing dynasty (1644–1911), 1598–1677

Wang Jian

A work made of lithograph in black on light gray china paper, laid down on white wove paper.

The Impotent Wing Did Not Lift the Animal Into That Black Space, plate 7 of 8 from "Les Origines", 1883

Odilon Redon

A work made of transfer drawing in charcoal and red chalk, on light tan tracing paper, laid down on white wove paper, wrapped around millboard.

Portrait of Julie Manet, 1890

Berthe Morisot

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

Centaur Aiming at the Clouds, 1883

Odilon Redon

A work made of lithograph in yellow-green, pink, and blue on light ivory wove paper.

But It is the Heart That Beats Too Quickly, plate twelve from Love, 1898, published 1899

Maurice Denis

A work made of lithograph in green, peach, and yellow on light ivory wove paper.

And It is the Caress of Their Hands, plate eight from Love, 1898, published 1899

Maurice Denis

A work made of favrile glass and bronze.

Lamp with “Nasturtium” Shade and “Bamboo” Base, c. 1910

Clara Driscoll

A work made of chiaroscuro woodcut in black and light green on off-white laid paper.

Madonna and Child Enthroned, St. Jerome and St. Francis, n.d.

Conte Antonio Maria Zanetti, the Elder

<<<26272829 >>>