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A work made of gelatin silver print.

Light Calligram II (9), 1993

Joan Fontcuberta

A work made of gelatin silver print.

Light Calligram II (10), 1993

Joan Fontcuberta

A work made of black chalk with stumping, heightened with white chalk, on tan laid paper toned with a light brown wash.

Study for The Speculators at the Palais Royal, 1797

Louis-Léopold Boilly

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896

Odilon Redon

A work made of etching on light gray china paper, laid down on white wove paper.

Ingres at Age Twenty-four, 1869

Léopold Flameng

A work made of aluminum, faux leather, and lead.

Table Lamp (Model 600P), 1966

Gino Sarfatti

A work made of color lithograph on newsprint.

Shining Lights of the Grand Old Party, 1890

Frederick Burr Opper

A work made of red, black, and white chalk, with stumping, on light brown laid paper, laid down on cream laid paper.

Hercules Seated, study for Hercules and Omphale, 1724

François Le Moyne

A work made of lithograph in black on light gray china paper, laid down on white wove paper.

The Satyr with the Cynical Smile, plate 5 of 8 from "Les Origines", 1883

Odilon Redon

A work made of lithograph in black on light gray china paper, laid down on white wove paper.

There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines", 1883

Odilon Redon

A work made of graphite, with stumping, on light-weight yellowish-tan wove paper, laid down on white wove paper, perimeter mounted on cream wove paper.

Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes, 1814/16

Jean Auguste Dominique Ingres

A work made of lithograph in black, with scraping on stone, on light gray china paper laid down using chine collé on white wove paper.

Portrait of Honoré Daumier, 1862

Etienne Carjat

A work made of pen and brown ink, with brush and light brown wash, on ivory laid paper, laid down on cream laid paper.

Damon and Pythias, 1632

Guercino

A work made of black chalk, with touches of stumping and erasing, on mottled blue-gray laid paper, altered to a light gray tone.

Male Nude, 1863/66

Paul Cezanne

A work made of woodcut printed from two blocks (each sawn into two sections) in light green, orange, blue-green, and red-brown ink on ivory japanese paper.

Woman's Head against the Shore, 1899

Edvard Munch

A work made of drypoint in light black on ivory japanese paper.

Study from the Nude of a Girl Standing, 1890

Theodore Roussel

Backstage at the Landscape

Backstage at the Landscape, 1972

Tony Berlant

A work made of lithograph in black on light gray china paper collé, laid down on white wove paper.

Siren Coming out of the Waves, Dressed in Flames, plate 4 of 8 from "Les Origines", 1883

Odilon Redon

A work made of pastel, with touches of white oil pastel, on light blue wove paper.

Eagle Dance, San Ildefonso, 1917–19

William Penhallow Henderson

A work made of persian silk piece. light silk; small flower spray.

Fragment (Dress Fabric), 18th/19th century

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