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A work made of gelatin silver print.

Light Calligram II (18), 1993

Joan Fontcuberta

A work made of gelatin silver print.

Light Calligram II (19), 1993

Joan Fontcuberta

A work made of gelatin silver print.

Light Calligram II (20), 1993

Joan Fontcuberta

A work made of lithograph in black ink on ivory wove paper, discolored to light brown.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her), from L’estampe originale, 1894

Paul Gauguin

A work made of book with linocut on light red wove paper cover (discolored to pink-cream).

Transrationalists (Zaumniki), 1922

Aleksandr Mikhailovich Rodchenko

A work made of drypoint in brown on light blue laid paper.

Nude Woman Seen from the Back, 1910

Jean Louis Forain

A work made of colored pencils and red conté crayon, with touches of graphite on light brown wove paper.

Church, 1910

Childe Hassam

A work made of color lithograph on newsprint.

Shining Lights of the Grand Old Party, 1890

Frederick Burr Opper

A work made of lithograph in yellow, blue, brown, green, and pink on light ivory wove paper.

Attitudes are Easy and Chaste, plate two from Love, 1898, published 1899

Maurice Denis

A work made of lithograph in black on light gray loose chine.

I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24, 1896

Odilon Redon

A work made of northern black ware, cizhou type; light-gray stoneware with dark-brown glaze.

Cup and Cupstand, Northern Song dynasty (960–1127), 11th century

A work made of lithograph in red, green, blue, and yellow on light ivory wove paper.

On the Pale Silver Sofa, plate ten from Love, 1898, published 1899

Maurice Denis

A work made of etching on light gray china paper laid down on ivory wove paper.

Galloping Horseman, 1866

Odilon Redon

A work made of lithograph in black on light gray china paper laid down on ivory wove paper.

I am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil!, plate 16 of 24, 1896

Odilon Redon

A work made of black chalk with stumping, heightened with white chalk, on tan laid paper toned with a light brown wash.

Study for The Speculators at the Palais Royal, 1797

Louis-Léopold Boilly

A work made of etching on light gray china paper, laid down on white wove paper.

Ingres at Age Twenty-four, 1869

Léopold Flameng

A work made of red, black, and white chalk, with stumping, on light brown laid paper, laid down on cream laid paper.

Hercules Seated, study for Hercules and Omphale, 1724

François Le Moyne

A work made of lithograph in black on light gray china paper, laid down on white wove paper.

The Satyr with the Cynical Smile, plate 5 of 8 from "Les Origines", 1883

Odilon Redon

A work made of lithograph in black on light gray china paper, laid down on white wove paper.

There Were Struggles and Vain Victories, plate 6 of 8 from "Les Origines", 1883

Odilon Redon

A work made of graphite, with stumping, on light-weight yellowish-tan wove paper, laid down on white wove paper, perimeter mounted on cream wove paper.

Sheet of Studies with the Head of the Fornarina and Hands of Madame de Senonnes, 1814/16

Jean Auguste Dominique Ingres

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