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A work made of lithograph on paper.

Landing of British Army under Abercrombie, n.d.

John Augustus Atkinson

A work made of oil on panel.

The Virgin and Saint John the Evangelist, c. 1520

Workshop of Jacob Cornelisz. van Oostsanen

A work made of oil on canvas.

Contemporary de Sade-John Wayne Gacy, 1981

Roger Brown

A work made of watercolor on ivory wove paper.

The First Whisper of Love, c. 1889

John Douglas Miller

A work made of oil on canvas.

The Golden Age, 1875

Sir John Edward Poynter

A work made of etching with plate tone on ivory japanese paper.

Bal Bullier, Paris, 1906

John Marin

A work made of oil on canvas.

John Van der Wall, c. 1745

Thomas Hudson

A work made of oil on canvas.

Mrs. Thomas Sprigg, 1764

John Hesselius

A work made of watercolor over graphite on white wove paper.

Bathers, n.d.

John Whorf

A work made of lithograph on ivory wove paper.

Girl for Goya, 1963

John Paul Jones

A work made of lithograph in colors with additional hand- coloring on ivory wove paper.

Spanish Peasants Dancing the Bolero, 1836

John Frederick Lewis

A work made of black and blue pastel on brown wove paper.

Landscape with Cows, n.d.

John Constable

A work made of etching with drypoint, selectively wiped, on ivory japanese paper.

Bridge Over Canal, Amsterdam, 1906

John Marin

A work made of etching and aquatint in brown on buff wove paper.

Mosaic, 1917

John Sloan

A work made of color lithograph from three plates on glass paper.

Cup 2 Picasso, 1972–73

Jasper Johns

A work made of tempera on panel.

Salome Asking Herod for the Head of Saint John the Baptist, 1455–60

Giovanni di Paolo

A work made of etching, selectively wiped, on ivory wove paper.

L'Opera, Paris, 1908

John Marin

A work made of pen and black ink, with brush and black wash, over graphite, on ivory wove card.

A World of Men, n.d.

John Northcote Nash

A work made of tempera on panel.

The Head of Saint John the Baptist Brought before Herod, 1455–60

Giovanni di Paolo

A work made of watercolor with blotting, wiping, and touches of scraping, and charcoal, on moderately thick, moderately textured, off white wove paper (right and lower edges trimmed).

The Tree, Bare Island, Maine, 1922

John Marin

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