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A work made of lithograph in black on ivory wove paper.

Gamblers Celebration, 1955

Irving Petlin

A work made of gelatin silver print.

Underfoot X, New York, August/September 2000, printed February 22, 2001

Irving Penn

A work made of gelatin silver print.

Underfoot XVIII, New York, August/September 2000, printed March 8, 2001

Irving Penn

A work made of gelatin silver print.

Underfoot XIX, New York, August/September 2000, printed March 2, 2001

Irving Penn

A work made of lithograph in black on cream wove paper.

Untitled (The Christ Child), mid 1950s

Irving Petlin

A work made of graphite on white wove paper.

Untitled, 2007

Renee DuBois

A work made of calotype.

Dr. David Irving, 1843/47

David Octavius Hill

A work made of carbon print.

Dr. David Irving, 1843/47

David Octavius Hill

A work made of collage of cut and pasted papers and staples with graphite and incising, laid down on ivory wove paper.

Second Roebling, 1974

Chris Wilmarth

A work made of black, red, yellow, and green felt-tip pen over graphite on printed, cream wove graph paper.

Projected Plan for 42 Photographs Tri-Axial Rotation of a Cube, 1966

Mel Bochner

A work made of graphite on drafting vellum.

Untitled (Study for Isomorphic Circles), 1967

Mel Bochner

3

3, 1966

Mel Bochner

Study for Wall Painting

Study for Wall Painting, 1973

Mel Bochner

Untitled

Untitled, 1967

Eva Hesse

A work made of black felt-tip pen with graphite on yellow wove paper.

Untitled, 1965

Donald Judd

Green and White

Green and White, 1951

Ellsworth Kelly

Study for Cupola (final state)

Study for Cupola (final state), 1960

Franz Kline

Suprematism

Suprematism, 1915

Kasimir Malevich

A work made of brush and sepia ink and red, white, and black shellac-based ink on ivory wove paper.

Sepia Drawing II, 1991–2000

Brice Marden

A work made of pen and blue ink and pink watercolor, with graphite, on cream wove tracing paper.

Untitled, 1964

Agnes Martin

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