Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of 4-panel transparent silkscreen print on glass.

National Gallery, Shortly Before Renovation (VK234), 2017

Veronika Kellndorfer

A work made of stainless steel and glass, 1/4 limited edition.

Inhale, Exhale, 2010

Sam Buxton

A work made of spray foam, plaster, light fixture, and metal hooks.

it was gold, it was radiant and reasonable, 2013

Sabina Ott

Expose for Shadow, Develop for Highlights (Perforated Sampler) [Wall]

Expose for Shadow, Develop for Highlights (Perforated Sampler) [Wall], 2010

A work made of gelatin silver print.

View of the Main Hall of the International Surrealist Exhibition During Installation - in the Foreground the Object "Jamais" of Oscar Domínguez, Paris, 1938

Denise Bellon

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

A work made of single-channel video installation, color, silent, window film; continuous loop.

Moluccan Cockatoo Molly Numbers 1-10, 1995

Diana Thater

A work made of installation of 18 inkjet prints and text panel.

The Week of the Perfect Game, 2009

Zoe Strauss

A work made of wax over oil and graphite, on two sheets of heavy ivory wove paper (tipped together for installation purposes).

Untitled (Mountains), 2002

Toba Khedoori

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

Baby Steps from the Cave

Baby Steps from the Cave, 1983

William T. Wiley

Expose for Shadow, Develop for Highlights (Perforated Sampler)

Expose for Shadow, Develop for Highlights (Perforated Sampler), 2010

Expose for Shadow, Develop for Highlights (Perforated Sampler) [Portrait]

Expose for Shadow, Develop for Highlights (Perforated Sampler) [Portrait], 2010

Expose for Shadow, Develop for Highlights (Perforated Sampler) [Glasses]

Expose for Shadow, Develop for Highlights (Perforated Sampler) [Glasses], 2010

A work made of charcoal, with stumping, pen and black ink, brown crayon, and touches of white chalk on ivory wove paper.

Dance at Insane Asylum, 1907

George Wesley Bellows

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