Expose for Shadow, Develop for Highlights (Perforated Sampler), 2010

Parliament of World's Religions, 2017

Qiu Zhijie

A Pope Installing a Bishop from Speculu humane vite (Mirror of Human Life), Plate 7 from Woodcuts from Books of the 15th Century, 1488, portfolio assembled 1929

Unknown artist

The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Mughal dynasty (1526-1857), c. 1590-1595

Basawan

All Directions At Once, 2018

Luiza Prado de Oliveira Martins

Whittaker's Hill, 1931

Clarence William Anderson

Asterisms, 2021

Amie Siegel

Television Room with Vanishing Points, 2003

Mark Manders

Untitled (No Comment), 2020

Barbara Kruger

West Street, Dead End (Sign Detail), 1973-74

Walker Evans

Threnody, 2016

James Webb

The Years, 2018

Charles Atlas

Ladies and Gentlemen (Broadway), 1974

Andy Warhol

The Cigarette, n.d.

Henriette Amiard Oberteuffer

Old Houses, Mentone, n.d.

Job Nixon

For Instance Now, Now There's the King's Messenger, from Through the Looking Glass, 1970

Peter Blake

Total Recall, 1987

Gretchen Bender

860–880 North Lake Shore Drive, 26th Floor and Roof, Plumbing and Ventilation Inst. Riser Diagram, 11/22/1949

Ludwig Mies van der Rohe

Wall designed by Dirk Ufermann, Head Technician, Bonner Kunstverein, Bonn. Constructed by Objekt Design Persighetti Ltd. for the exhibition Open Letter: The Family Drama Refunctioned? (From the Point of View of Production), 17 March - 20 May, 2017, David Zwirner, London after drawings by Pasztori Simons Architects, Berlin with Avery Dennison 500 Event Film Matt vinyl (color code: 707EM) installed by Imga Imaging Ltd. Kent, UK (3/6) 2017 Plywood, metal, wood, and adhesive vinyl 350 x 350 x 57 cm Wall constructed by Objekt Design Persighetti Ltd, Leichlingen, Germany Vinyl installed by Igma Imaging Ltd., Kent, UK, 2017, 2017

Christopher Williams

Television Room with Vanishing Points, 2003

Mark Manders