Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Large mound of rocks intersected radially by long rectangular mirrors.

Chalk-Mirror Displacement, 1969

Robert Smithson

A work made of plastic filaments and metal hanging hardware.

Pénétrable de Chicago, 1971

Jesús Rafael Soto

A work made of oil on canvas, wood paneling, and potted plant.

Manta Ray, 1981

William Leavitt

A work made of site-specific, text-based light installation.

Public Notice 3, September 2010

Jitish Kallat

A work made of painted wood.

America Dawn, 1959/67

Louise Nevelson

A work made of color video, sound (five monitors), metal scaffolding; edition number one of three.

Tears for Eros, 1999

Kendell Geers

A work made of blown mirrored glass bricks.

Late August Songs, 2003

Pae White

Color photograph, people in dark room watching projected image of woman in bathroom doorway.

The Ballad of Sexual Dependency, 1979/2001

Nan Goldin

A work made of wood framing and sheetrock.

Rayna, 1979

James Turrell

A work made of oil paint on anodized aluminum with six hexagonal round-faced steel bolts.

The Elliott Room: Charter, 1985 [series 1985/87]

Robert Ryman

A photograph of a gallery installation. The installation is a dyed canvas draped over two wooden sawhorses. The colorful canvas is almost sculptural, folded and bunched in space on top of the sawhorses.

"A" and the Carpenter I, 1973

Sam Gilliam

A work made of lascaux acrylic on epoxy-edged fiberglass with aluminum with four unpainted round steel bolts.

The Elliott Room: Charter II, 1987 [series 1985–87]

Robert Ryman

A work made of 25 chromogenic prints and 1 inkjet print.

Chicago Installation, 2003

Wolfgang Tillmans

A work made of mylar.

My Room is Another Fish Bowl, 2016

Philippe Parreno

A work made of two pink fluorescent light tubes.

untitled, 1969

Dan Flavin

A work made of pressed wool felt, steel, zinc-plated steel, copper-clad steel, lead, aluminum, and brass.

Untitled (Scatter Piece), 1968–69

Robert Morris

A work made of stained wood box with glass front, light bulb, tree bark, glitter or glass chips, glass, colored-paper image adhered to a wood form, and twigs.

Untitled (Lighted Dancer), c. 1949

Joseph Cornell

A grand, double-height room with wood paneling, stenciled wall patterns, four hexagonal columns, and an interior balcony with guardrail at left.

Chicago Stock Exchange Trading Room: Reconstruction at the Art Institute of Chicago, 1893/94 (original built) 1972 (original demolished) 1976/77 (reconstructed)

Adler & Sullivan, Architects

A work made of textile samples and reprocessed plastic pallets.

Perfect Pattern, 1999

Dan Peterman

Large sculpture of empty square frame with a connected steel tube looping outward.

Hang Up, 1966

Eva Hesse

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