Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of ceramic.

Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects, 1200–1450

Chimú

A work made of chromogenic print.

Untitled, 1971

José Lopez

A work made of chromogenic print.

Untitled, 1971

José Lopez

A work made of chromogenic print.

Untitled, 1971

José Lopez

A work made of chromogenic print.

Untitled, 1971

José Lopez

A work made of chromogenic print.

Untitled, 1971

José Lopez

A work made of chromogenic print.

Untitled, 1971

José Lopez

A work made of chromogenic print.

Untitled, 1971

José Lopez

A work made of gelatin silver print.

Untitled (Philadelphia), c. 1965

Ray Krueger Metzker

A work made of gelatin silver print.

Shakedown, Main Corridor, from series "Conversations with the Dead", c. 1967/68

Danny Lyon

A work made of daguerreotype.

Untitled (Young Man with Hat), 1839/60

Unknown

A work made of gelatin silver print.

Untitled, 1940/75

Unknown

A work made of gelatin silver print.

Untitled (Wet street with telephone poles), 1950/70

Unknown

A sketch of an airy interior space with two slender columns in the foreground and three large glass windows on the back wall.

Court House Studies, Interior Perspective Study, c. 1931–1938

Ludwig Mies van der Rohe

A room with canon at left pointed toward a wall divided into four segments: wood grain at top left; at top right, gray tubes with halved spheres; at bottom left, blue sky and clouds; and at bottom right, a brown building with curtained windows. A left wall, segmented in two, features a nude female torso at top and detailed trees at bottom. The right wall features a top panel of wavy yellow and orange, while bottom panel has a pink, cutout-like motif.

On the Threshold of Liberty, February–March 1937

René Magritte

A work made of oil on panel.

Final Study for "Bathers at Asnières", 1883

Georges Seurat

A work made of oil on canvas.

Poor Room—There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever, and Forever without End, 1942–43, 1948–55, 1957–63

Ivan Albright

Vertical black sculpture of rounded and rectangular shapes, suggesting a human figure.

Spoon Woman, 1926–27 (cast 1954)

Alberto Giacometti

A work made of color lithograph on cream wove paper.

Debauchery (second plate), 1896

Henri de Toulouse-Lautrec

A work made of oil on panel.

Portrait of a Man with a Pink, 1500–10

Quentin Massys

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