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A work made of silk, warp faced weft ribbed plain weave with plain interlacings of secondary binding warps, supplementary patterning wefts and self-patterning ground wefts; woven on loom with jacquard attachment.

Portrait of Napoleon III (1808–1873), Emperor, 19th century

Marc-Laurent Bruyas

A terracotta jar, wider at the top with a narrow neck and small handles, decorated in black, featuring human figures against red. One wrestles at center with a merman, creating a mass of tangled limbs, the creature's tail dominating the left portion of the scene.

Hydria (Water Jar), about 515-500 BCE

Ancient Greek

A work made of gelatin silver print.

Untitled, 1963

Enrico Sarsini

A work made of gelatin silver print.

Lamp in Petit Montrouge, 1950

Todd Webb

A work made of drypoint in black on cream laid paper.

Drypoint Number Five: Portrait, 1909

Donald Shaw MacLaughlan

A work made of silk, warp-float faced 7:1 satin weave with supplementary binding warps tying some three color complementary self-patterning ground wefts in plain interlacings.

Panel, c. 1724/27

Miniature of a cozy living room and kitchen in rich maple-colored wood tones, hardwood floors and wood paneling on the walls, a large brick fireplace and stove on the right. A cupboard on the back wall contains silver plates and mugs.

A1: Massachusetts Living Room and Kitchen, 1675-1700, c. 1940

Narcissa Niblack Thorne

Deep earthenware soup bowl with two swirly designed handles and cover topped with a flower shaped element. The bowl is decorated in black with griffin and palmette pattern on rim and with a scene in an oval depicting a running male figure in a winged helmet handing a baby over to the lady sitting on the ground.

Tureen, 1810/20

Creil Pottery

A miniature room with yellow walls, inset pillars, and an ornate cabinet centered on the far wall. At room's center, a large chandelier hangs over a small table with two upholstered chairs.

A14: Pennsylvania Drawing Room, 1834-36, c. 1940

Narcissa Niblack Thorne

A work made of chromogenic print.

Untitled [Pebbles on Sand], 1940/62

Howard Dearstyne

A work made of marble.

Side Panel of a Sarcophagus, First half of the 3rd century

Ancient Roman

A work made of gelatin silver print.

The Dunes, Indiana, 1963

Robert Earl Wilson

A work made of oil on canvas.

The Obelisk, 1787

Hubert Robert

A work made of color lithograph on cream wove paper.

Debauchery (second plate), 1896

Henri de Toulouse-Lautrec

A work made of ceramic.

Jar with Relief of Standing Figure with Crescent Headdress, Holding Ritual Objects, 1200–1450

Chimú

A sketch of an airy interior space with two slender columns in the foreground and three large glass windows on the back wall.

Court House Studies, Interior Perspective Study, c. 1931–1938

Ludwig Mies van der Rohe

A work made of oil on canvas.

Heart of the Matter, 1963

Otis Kaye

A work made of oil on canvas.

Poor Room—There Is No Time, No End, No Today, No Yesterday, No Tomorrow, Only the Forever, and Forever, and Forever without End, 1942–43, 1948–55, 1957–63

Ivan Albright

Black terracotta vessel, narrow at the bottom and wider at top, with a short lip, featuring a wide red band in the middle. This band depicts in black a procession of figures surrounded by vines, including a person on a donkey.

Mastoid (Drinking Cup), 500-480 BCE

Leafless Group

A room with canon at left pointed toward a wall divided into four segments: wood grain at top left; at top right, gray tubes with halved spheres; at bottom left, blue sky and clouds; and at bottom right, a brown building with curtained windows. A left wall, segmented in two, features a nude female torso at top and detailed trees at bottom. The right wall features a top panel of wavy yellow and orange, while bottom panel has a pink, cutout-like motif.

On the Threshold of Liberty, February–March 1937

René Magritte

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