Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

Ice (4), 1989

Gerhard Richter

A work made of lithograph on paper.

The Last Drop, published January 1, 1829

Charles Joseph Hullmandel

A work made of ceramic and pigment.

Handle Spout Jug with Quadruped Motifs, 100 BCE–500 CE

Moche

Black-and-white photograph taken outdoors of a naked girl being held out by a man in jeans and a long-sleeved shirt. The child, whose platinum-blond hair is unkempt, stares directly at the viewer.

Untitled, 1982

Jock Sturges

A work made of acrylic and silkscreen ink on linen.

Four Mona Lisas, 1978

Andy Warhol

Abstract painting with dominant red, yellow, and blue tones. Densely commingled forms, many outlined in black or brown strokes, fill the canvas.

The Key, 1946

Jackson Pollock

A work made of black crayon and white chalk on brown laid paper (partially discolored to tan).

Standing Female Nude, 1882/93

Arthur B. Davies

A work made of ceramic and pigment.

Jar in the Form of a Captive with Modeled Head, Rope Encircling Neck, and Tied Hands, 100 BCE–500 CE

Moche

A work made of silver gilt, rock crystal, textile, and human remains.

Reliquary Monstrance with a Tooth of Saint John the Baptist, 1433; container: 900/1200

Weddeghe Velstede

A work made of miniature room, mixed media.

E-24: French Salon of the Louis XVI Period, c. 1780, c. 1937

Narcissa Niblack Thorne

A work made of oil and magna on canvas.

Artist's Studio "Foot Medication", 1974

Roy Lichtenstein

A work made of gelatin silver print.

We Will Not Become What We Mean to You, 1983

Barbara Kruger

A work made of silk, plain weave with gilt-metal strip facing wefts; embroidered with silk and gilt-metal-strip-wrapped silk in satin, split, raised stem, and stem stitches; couching; a: cords of silk, oblique interlacing; tassel of silk, oblique interlacing and a knotting technique known as macramé with cut fringe (no cords or tassel on b).

Amice, 17th century

Multicolored painting of undulating geometric shapes interweaving and overlapping one another.

Edtaonisl (Ecclesiastic), 1913

Francis Picabia

A work made of oil on canvas.

The Music Lesson, c. 1670

Gerard ter Borch

A work made of oil on panel.

Flowers, 1904

Ker-Xavier Roussel

A work made of miniature room, mixed media.

E-12: English Drawing Room of the Georgian Period, c. 1800, c. 1937

Narcissa Niblack Thorne

A work made of drypoint on cream laid paper.

Arch, Midnight, 1930

Martin Lewis

Serene abstract work featuring overlapping shapes on a neutral background. Some shapes are outlined and filled in with dots of the same color. At top left, a circle radiating purple dots contains an almond-shaped eye. Near bottom right is a small bright-red circle with a tiny arrow beside it.

Sunset, 1930

Paul Klee

A work made of gelatin silver print.

Nude No. 158, New York, 1949/50, printed 1949/50

Irving Penn

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