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A work made of etching in black on paper.

Figure After Sculpture, n.d.

Harold Paris

A work made of bronze.

Centaur Abducting a Nymph, c. 1650

Francesco Fanelli

A work made of turquoise with cinnabar.

Feline Figure, 1100–1470

Chimú

A work made of oil on panel.

The Hanged Monk, c. 1810

Francisco José de Goya y Lucientes

A work made of graphite and watercolor on cream wove paper, discolored to tan (removed from a sketchbook).

Sketches of Standing Figures and Animals, 1891/93

Paul Gauguin

A work made of brush and blue wash, heightened with lead white, on blue laid paper.

Overdoor with Allegorical Male Figure, 17th century

Veronese (Paolo Caliari)

A work made of ceramic and pigment.

Seated Female Figure Holding a Bowl, 100–800 CE

Colima

A work made of oil on paper, mounted on panel.

Christ Washing the Disciples' Feet, c. 1630

Jan Lievens

A work made of gelatin silver print, no. v from the portfolio "transmutations" (1967).

Woman-Amphora (Femme-Amphore), 1934/35, printed 1967

Brassaï, (Gyula Halász)

A work made of oil on panel.

The Adoration of the Magi, 1515-25

Workshop of Cornelis Engebrechtsz.

A work made of tempera on panel.

The Dream of Saint Jerome, 1476

Matteo di Giovanni

A work made of graphite on ivory wove paper, laid down on ivory wove card.

Seated Female Figure, 1873

Sir Edward Burne-Jones

A work made of ceramic and pigment.

Standing Female Figure, c. 200 CE

Nayarit

A work made of tempera and oil (?) on panel.

Triptych of the Crucifixion with Saints Anthony, Christopher, James and George, c. 1400

Netherlandish

A headless figure leans out of the first-floor window of a light-colored stone building from which two iron bars have been detatched, his blood spurting to the ground. A figure bends to collect the head while another looks away to sheath a long sword. From right, a robed man beholds the guesome scene.

The Beheading of Saint John the Baptist, c. 1455

Giovanni di Paolo

A work made of lusterware, fritware with luster-painted overglaze.

Serving Bowl with Miniature Figures, Arabic Blessings, and Persian Poetry, Seljuq dynasty (1037–1194), March 1191 (Safar, 587 AH)

Islamic

A work made of oil on canvas.

The Harvest of Buckwheat, 1899

Paul Sérusier

A work made of porcelain painted in overglaze enamels.

Jar with Figural Scenes and Poem Describing the Osmanthus and Moon, Qing dynasty (1644–1911), Shunzhi period (1644–1661), dated 1646, with later painted decoration

A work made of oil on canvas.

Saint Martin and the Beggar, c. 1597–c. 1600

Domenico Theotokópoulos, called El Greco

A work made of alabaster, traces of polychromy.

The Resurrection, 15th century

English

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