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A work made of oil on canvas.

The Harvest of Buckwheat, 1899

Paul Sérusier

A work made of internal dye diffusion transfer print.

Still Life & Figure, September 18, 1978

Lucas Samaras

A work made of ceramic and pigment.

Standing, "Smiling" Figure with Hands Raised, 600–900

Remojadas

A work made of alabaster, traces of polychromy.

The Resurrection, 15th century

English

A work made of oil on canvas.

Saint Martin and the Beggar, c. 1597–c. 1600

Domenico Theotokópoulos, called El Greco

A work made of wool, plain weave with supplementary wefts forming cut pile through a technique known as "spanish knots".

Carpet, Before 1473

A work made of bronze.

Woman with Crab, 1900

Aristide Joseph-Bonaventure Maillol

A work made of gelatin silver print.

Nude, c. 1925

Willi Baumeister

A work made of gelatin silver print.

Last Light, from the series "Immediate Family", 1990

Sally Mann

A work made of boxwood.

Storage-Rack Panel with Figures and Animals, Late 1920s/40s

Zizwezenyanga Qwabe

A work made of etching on cream laid paper.

Figure, from Six Figures Académiques, 1742-43

Carle van Loo

A work made of ceramic.

Cup in the Form of a Figure Holding Enlarged Penis, 1100–1470

Chimú

A work made of ceramic and pigment.

Standing Male Figure Holding a Plate, 100–400 CE

Colima

A work made of gelatin silver print, from the portfolio "sequence 15" (1959).

Broken Paint Figure, August 1959, printed 1959/60

Minor White

A work made of stone.

Standing Figure, 300 BCE–300 CE

Mezcala

A work made of oil on canvas.

Landscape with Rock and Fortress, c. 1645

Domenico Gargiuli (Micco Spadaro)

A work made of ceramic.

Double Vessel with a Foot-Massage Scene, 1200–1450

Chimú

A work made of pen and black and gray ink on ivory laid paper.

Sheet of Sketches: Six Figures, 1768/78

Giovanni Battista Piranesi

A work made of silk, cotton, wool, rayon, and acetate, plain weaves, some with creped wefts, some with supplementary pile warps and/or wefts forming cut solid velvet and some with self-patterning ground wefts; some printed; twill weaves; satin weaves, some with creped wefts; and double-sided satin weave of complementary warps and wefts, secondary binding warps and main warp floats cut to form "velours au sabré"; pieced; appliquéd with cotton, silk, and rayon, plain weave and satin weaves; some with creped wefts; some printed; embroidered with cotton and rayon, in back, bullion, buttonhole, chain, detached chain, open chain, feather, fly, herringbone, interlooping, overcast, satin, single satin, sheaf filling and stem stitches; french knots and couching, edged with rayon, plain weave with supplementary pile warps forming cut solid velvet, each square backed with cotton, plain weave.

Figurative Crazy Quilt, c. 1929/41

A work made of alabaster with polychromy and gilding.

Adoration of the Magi, 1425/75

English

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