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A work made of oil on canvas.

The Garden of Palazzo Contarini dal Zaffo, Late 1770s

Francesco Guardi

A work made of bronze.

The Visitor (Le visiteur), Modeled probably after 1860, cast c. 1956

Style of Honoré Victorin Daumier

A work made of bronze.

Charles Leonard Galleis, Modeled c. 1832–35 or c. 1849, cast 1929–40

Honoré-Victorin Daumier

A work made of boxwood.

Storage-Rack Panel with Figures and Animals, Late 1920s/40s

Zizwezenyanga Qwabe

A work made of bronze.

The Smiling Man (Tete d'homme souriant), Modeled possibly 1830s, cast after 1944–50

Honoré-Victorin Daumier

A work made of etching on cream laid paper.

Figure, from Six Figures Académiques, 1742-43

Carle van Loo

A work made of ceramic.

Cup in the Form of a Figure Holding Enlarged Penis, 1100–1470

Chimú

A work made of ceramic and pigment.

Standing Male Figure Holding a Plate, 100–400 CE

Colima

A work made of bronze, wood with ebonizing and staining.

Crucifix, c. 1646

Alessandro Algardi

A work made of gelatin silver print, from the portfolio "sequence 15" (1959).

Broken Paint Figure, August 1959, printed 1959/60

Minor White

Large painting of woman, in gold and pink dress, placing severed head on platter.

Salome with the Head of Saint John the Baptist, c. 1639–42

Guido Reni

A work made of stone.

Standing Figure, 300 BCE–300 CE

Mezcala

Bronze sculpture of a nude woman with her right arm extended upward and her left arm stretched out to her side, each slightly and elegantly curved. She stands very straight, with her right leg extended and on the ball of her right foot, as if about to move.

Dancer Ready to Dance, Right Foot Forward, Modeled 1882–95, cast 1919–21

Hilaire Germain Edgar Degas

A work made of pen and black and gray ink on ivory laid paper.

Sheet of Sketches: Six Figures, 1768/78

Giovanni Battista Piranesi

A work made of silk, cotton, wool, rayon, and acetate, plain weaves, some with creped wefts, some with supplementary pile warps and/or wefts forming cut solid velvet and some with self-patterning ground wefts; some printed; twill weaves; satin weaves, some with creped wefts; and double-sided satin weave of complementary warps and wefts, secondary binding warps and main warp floats cut to form "velours au sabré"; pieced; appliquéd with cotton, silk, and rayon, plain weave and satin weaves; some with creped wefts; some printed; embroidered with cotton and rayon, in back, bullion, buttonhole, chain, detached chain, open chain, feather, fly, herringbone, interlooping, overcast, satin, single satin, sheaf filling and stem stitches; french knots and couching, edged with rayon, plain weave with supplementary pile warps forming cut solid velvet, each square backed with cotton, plain weave.

Figurative 'Crazy Quilt', c. 1929/41

A work made of bronze.

The Small Shopkeeper (Le petit propriétaire), Modeled probably after 1860, cast c. 1956

Style of Honoré Victorin Daumier

A work made of pen and brown ink (recto and verso) on cream laid paper.

Figure Studies (recto and verso), c. 1800

Henry Fuseli

A work made of ceramic.

Double Vessel with a Seated Figure, 1200–1450

Chimú

A work made of oil on canvas.

Saint John the Baptist in the Wilderness, c. 1622

Diego Velázquez

A work made of oil on canvas.

The Meeting of Gautier, Count of Antwerp, and his Daughter, Violante, c. 1787

Giuseppe Cades

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