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A work made of lithograph in black on ivory wove paper.

Reclining Figure, 1929

Henri Matisse

A work made of earthenware.

Head and Torso of a Dancing Figure, 5th–7th century

A work made of charcoal, on ivory laid paper.

Reclining Male Figure, n.d.

Alphonse Legros

A work made of bronze.

Comte Horace-François Sébastiani, Modeled c. 1832–35, cast 1929–40

Honoré-Victorin Daumier

A work made of oil on canvas.

The Bathers, 1899-1904

Paul Cezanne

A work made of buff earthenware with three-color (sancai) lead glazes and molded decoration.

Horse (Tomb Figure), Tang dynasty (618–907), first half of 8th century, with restored head and neck

A work made of lithograph in black on chine, laid down on white wove paper.

In the Forest, 1851

Karl Bodmer

A work made of shell, stone, silver, copper, and cotton.

Pendant in the Form of a Figure, 400–800 CE

Tiwanaku

A work made of oil on canvas.

Penitent Saint Peter, c. 1630

Jusepe de Ribera

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of bronze.

Auguste-Hippolyte Ganneron, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

A work made of pastel and pastel wash, over graphite, on off-white wove paper.

Three Standing Figures, 1951

Henry Moore

A work made of oil on canvas.

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, 1836–37

Joseph Mallord William Turner

Painting of the Virgin Mary ascending to heaven amongst multitude of angels.

The Assumption of the Virgin, 1577–79

Domenico Theotokópoulos, called El Greco

A work made of plaster.

Clytie, 1868

George Frederick Watts

A work made of bronze.

Jean Claude Fulchiron, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

A work made of oil on canvas.

Landscape with Figures and Buildings, 17th century

French

A work made of bronze.

Benjamin Delessert, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of oil on canvas mounted on board.

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77

Thomas Eakins

A work made of bronze.

The Lover (L'amoureux), Modeled probably after 1860, cast 1930s–1960s

Style of Honoré Victorin Daumier

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