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A work made of oil on canvas.

Fishing Boats in a Calm, 1651

Jan van de Cappelle

A work made of pen and iron gall ink, with brush and brown and gray wash, on ivory laid paper.

Standing Male Figure, c. 1600

Jacopo da Empoli

A work made of ceramic and pigment.

Double-Faced Female Figurine, 500–400 BCE

Tlatilco

A work made of graphite, with traces of black crayon, on ivory wove paper.

Interior with Seated Figure, 1951

Alberto Giacometti

A work made of ceramic and pigment.

Female Figure, 100 BCE–300 CE

Chinesco

A work made of oil on canvas.

A Turn in the Road, 1873

Alfred Sisley

A work made of oil on panel.

The Crucifixion, 1494

Austrian

A work made of gold.

Pendant Depicting a Male Figure with Saurian Heads Emerging from Body, 1000–1550

Veraguas

A work made of etching with plate tone and traces of foul bite, in black, on gray wove paper, laid down on ivory wove paper (chine collé).

Figure Asleep on Mashrabiya Background, 1929

Henri Matisse

A work made of bronze.

Hyacinth Awaiting His Turn to Throw the Discus, c. 1824

Baron François-Joseph Bosio

A work made of wood, fabric, and pigment.

Face Mask (Agbogho Mmuo), Early/mid–20th century

Igbo

Large marine landscape of boats on rough waves, storm clouds.

Fishing Boats with Hucksters Bargaining for Fish, 1837–38

Joseph Mallord William Turner

A work made of oil on canvas.

Wounded Eurydice, 1868–70

Jean Baptiste Camille Corot

A work made of brush and black ink, with graphite, on white wove paper.

Dislocated Figure, c. 1964

Michael Ayrton

A work made of oil on panel.

The Crucifixion, 1538

Lucas Cranach the Elder

A work made of bronze.

Jean-Charles Persil, Modeled c. 1832/35, cast 1929/30

Honoré-Victorin Daumier

A work made of carbon print.

The Net Mender, 1894

Alfred Stieglitz

Large, dark painting of Jesus sitting with three standing soldiers.

Jesus Mocked by the Soldiers, 1865

Édouard Manet

A work made of bronze.

Cuirassier with Drawn Sword, Modeled c. 1875, cast after 1891

Jean Louis Ernest Meissonier

An older black woman in white bonnet, wire glasses, long dress, and shawl sits holding yarn. She looks at the camera thoughtfully, one hand raised, with her elbow resting on a small table. Beneath her is the caption "I sell the shadow to support the substance. Sojourner Truth."

Untitled ("I Sell the Shadow to Support the Substance"), 1864-65

Sojourner Truth

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