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A work made of etching in black on cream wove paper, laid down on ivory wove paper (chine collé).

Seated Figure in an Interior, 1929

Henri Matisse

A work made of pen and black ink, with white gouache, on cream wove paper.

Two Mechanical Figures, 1954

Yves Tanguy

A work made of polychrome stucco plaster.

Shepherd Boy, 1929

Olga Chassaing

A work made of wood, cloth, and cowrie shells.

Standing Figure (Ibeji), Mid–19th/early 20th century

Workshop of Abogunde of Ede

A work made of bronze.

Jean-Pons-Guillaume Viennet, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of transfer lithograph with stumping in black ink on tan laid japanese vellum.

The Draped Figure, Seated, 1893

James McNeill Whistler

A work made of ivory.

Virgin and Child, 1240/50

French

A work made of black and colored crayons, with oil pastel, on tan wove paper.

Landscape with Buildings and Figures, 1914–15

Oskar Kokoschka

A work made of bronze.

Enchained Action, c. 1906

Aristide Joseph-Bonaventure Maillol

A work made of ceramic and pigment.

One of a Pair of Matched Bowls Depicting Costumed Ritual Performers, 180 BCE–500 CE

Nasca

A work made of etching, soft ground, spit bite, lift ground, and drypoint on white wove paper.

Figure in the Air, 1955

Ray Brown

A work made of bronze.

Basin with Figural Feet (Lu), Eastern Zhou dynasty, Warring States period (771–222 B.C.), 5th/4th century B.C.

A work made of walnut with traces of 19th-century polychromy.

Reliquary Bust of Saint Margaret of Antioch, c. 1470

Nicolaus Gerhaert

A work made of watercolor on tan wove paper.

Three Figures in a Forest, 1912

Christian Rohlfs

A work made of bronze, dark brown patina.

Figure of a Retriever, c. 1840/60

Pierre-Jules Mêne

A work made of pen and iron gall ink, with brush and brown and gray wash, on ivory laid paper.

Standing Male Figure, c. 1600

Jacopo da Empoli

A work made of ceramic and pigment.

One of a Pair of Matched Bowls Depicting Costumed Ritual Performers, 180 BCE–500 CE

Nasca

A work made of graphite, with traces of black crayon, on ivory wove paper.

Interior with Seated Figure, 1951

Alberto Giacometti

A work made of ceramic and pigment.

Female Figure, 100 BCE–300 CE

Chinesco

A sketchy black-and-white oil painting of a dozen horses walking in a circle, some with riders. All of the figures are shadowy.

Study for The Horse Fair, c. 1850

Rosa Bonheur

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