Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of graphite on ivory wove paper, discolored to cream.

Two Grotesque Figures, 1865/68

Odilon Redon

A work made of oil on canvas.

Penitent Saint Peter, 1628/32

Jusepe de Ribera

Painting of the Virgin Mary ascending to heaven amongst multitude of angels.

The Assumption of the Virgin, 1577–79

Domenico Theotokópoulos, called El Greco

A work made of oil on canvas.

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, 1836–37

Joseph Mallord William Turner

A work made of bronze.

Comte Horace-François Sébastiani, Modeled c. 1832–35, cast 1929–40

Honoré-Victorin Daumier

A work made of gelatin silver print.

Campden Hill, London, 1956

Bill Brandt

A work made of pastel, with stumping on gray wove paper, discolored to tan, laid down on wood pulp board.

Standing Figure in Chemise, c. 1929

Jules Pascin

A work made of pen and brown ink, with traces of black chalk, on ivory laid paper.

Male Figure Study, with Slight Sketch of Seated Figure, 1540/50

Follower of Michelangelo Buonarroti

A carved wooden figure wearing a conical hat, with an elongated neck, torso, and arms, sitting on a stool and holding a drinking vessel and a horn.

Portrait Figure of Metang, the 10th King of Batufam, c. 1912-1914

Bamileke

A work made of plaster.

Clytie, 1868

George Frederick Watts

A work made of bronze.

Auguste-Hippolyte Ganneron, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

A work made of gelatin silver print.

Ballet Rose, 1932

Brassaï, (Gyula Halász)

A work made of gouache on cream wove paper.

Two Nude Figures with Flowers, 1945

Philip Evergood

A work made of bronze.

Jean Claude Fulchiron, Modeled c. 1832–35, cast 1929–50

Honoré-Victorin Daumier

A work made of pen and black ink and black crayon, with brush and gray wash, graphite and touches of red conte crayon, heightened with white gouache, on cream wove paper.

Group of Draped Standing Figures, 1942

Henry Moore

A work made of earthenware.

Partial Figure of a Pregnant Women, 1000–300 BC

A work made of bronze.

Benjamin Delessert, Modeled c. 1832–35, cast 1929–30

Honoré-Victorin Daumier

A work made of graphite and colored crayons on tan wove tracing paper.

Abstract Composition-Figures in a Landscape, c. 1930

Le Corbusier (Charles-Édouard Jeanneret)

A work made of bronze.

The Lover (L'amoureux), Modeled probably after 1860, cast 1930s–1960s

Style of Honoré Victorin Daumier

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