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A work made of lithograph in black on chine, laid down on white wove paper.

In the Forest, 1851

Karl Bodmer

A work made of resin and gold plate.

Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?), 2017

Ana De Orbegoso

A work made of bronze.

Le Valet de Chambre, Modeled probably after 1860, cast 1930s/1960s

Style of Honoré Victorin Daumier

A work made of palladium print.

Georgia O'Keeffe - Feet, 1918

Alfred Stieglitz

A work made of oil on canvas.

Landscape with Figures and Buildings, c. 1680/1700

French

A work made of soft-paste porcelain, polychrome enamels and gilding.

Figure of America, c. 1766

Bow Porcelain Factory

A work made of hard-paste porcelain, polychrome enamels, and gilding.

Allegorical Figure Representing Asia, 1746

Meissen Porcelain Manufactory

A work made of lithographic crayon, with traces of scraping and stumping, on fine-grained transfer paper laid down on cream wove paper.

Reclining Draped Figure, 1893

James McNeill Whistler

A work made of bronze.

The Poet (Le poète), Modeled probably after 1860, cast 1930s/1960s

Style of Honoré Victorin Daumier

A work made of turquoise, earthenware, stucco, spondylus shell, mother of pearl, and iron pyrite, with pigment.

Mosaic Disk with a Mythological and Historical Scene, 1400–1500

Mixtec

A work made of bronze with yellow patina.

Lucretia (?), 1547/48

Pierino da Vinci

A work made of ceramic and pigment with cinnabar.

Seated Female Figure, 800–400 BCE

Olmec

A work made of gelatin silver print.

Italy, 1933

Henri Cartier-Bresson

A work made of oil on canvas mounted on board.

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77

Thomas Eakins

A work made of terracotta and iron.

Shrine Figure (Ntkekpe), Mid–20th century

Igbo

A work made of pen and black ink on cream wove tracing paper.

Figures in Building Structures, 1922

Oskar Schlemmer

A work made of oil on panel.

Pasture in Normandy, 1852

Constant Troyon

A work made of ceramic and pigment.

Fragment of Figural Jar in the Form of a Figure, Possibly Ai-Apec, 100 BCE–500 CE

Moche

Sepia toned photograph, heavily shadowed, a man is foregrounded in front of two figural sculptures.

Rodin, Le Penseur, 1902

Edward Steichen

A work made of bronze.

The Confidant (Le Confident), Modeled probably after 1860, cast around November 1954

Style of Honoré Victorin Daumier

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