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A work made of cotton, needle lace of a type known as "point de gaze".

Veil with Russian Imperial Family Coat of Arms, 1875/1900

A work made of oil on yellow poplar panel.

Mr. Benjamin Schaum, 1808–10

Jacob Eichholtz

A paddle hairbrush with a wood finish and blonde hair extending about a foot in length from the paddle in place of bristles.

Bless Beauty Hairbrush, 1999

BLESS eine GmbH

A work made of linen, plain weave; embroidered in silk threads and silver-gilt strips wound around a silk fibre core in rococo and plait (thread counted) stitches, couching, plaited braid and woven rosettes; tassels made with silver-gilt threads in turk's head knots; lined with silk, plain weave.

Bag (Needlework), 1601/25

A work made of walnut with southern yellow pine, white pine, and white cedar.

Dressing Table, 1700–30

Artist unknown

A work made of linen, plain weave; embroidered with silk and gilt-metal-strip-wrapped silk in bullion, buttonhole, couched buttonhole, chain, hollie, and single satin stitches; darned couching.

Man's Cap (Unassembled), 1601/25

A work made of collage of halftone prints, lined paper, graphite, and adhesive tape on matboard.

Hite/Hustler Fashion Beaver Hunt #8, 1981

Robert Heinecken

A work made of oil on yellow poplar panel.

Mrs. Benjamin Schaum (Anna Maria Heckensweiler), 1808–10

Jacob Eichholtz

A work made of silk, satin weave; over linen, plain weave; lined in silk, damask weave; embroidered in silver-gilt strips wound around a silk fibre core; in purl.

Bag, 1601/25

A work made of gelatin silver print.

James Galanos, Fashion Designer, New York City, August 10, 1975

Richard Avedon

A work made of silk, plain weave with supplementary patterning warps and supplementary patterning wefts; woven on loom with jacquard attachment.

Ribbon, 1830/50

Gertrude Rapp

A work made of silk and wool, warp threads dyed in multiple colors prior to weaving; center of weft-float faced 1:3 'z' twill weave; patterned areas of weft-float faced 3:1 twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings over warp-float faced twill weave; main warp fringe; woven on loom with jacquard attachment.

Burnoose, Narrow Shawl, or Scarf, c. 1862

Color print depicting two women as they dry and bundle fabric.

Evening Snow on a Floss Shaper (Nurioke no bosetsu), from the series "Eight Views of the Parlor (Zashiki hakkei)", c. 1766

Suzuki Harunobu

A work made of oil on panel.

Portrait of a Young Lady, c. 1620

Paulus Moreelse

A work made of oil on canvas.

A Woman at the Élysée Montmartre (Femme à l’Élysée Montmartre), 1888

Louis Anquetin

A work made of .1 etching and engraving in black ink with watercolor on cream laid paper .2 etching and engraving in black ink with watercolor and touches of metallic watercolor on cream wove paper.

"Costume Parisien" Fashion Plates from Journal des Dames et Des Modes and Costume Parisien (The Journal of Ladies and Fashion), 1804 and 1806

A work made of silk, satin weave with twill interlacings of brocading and some self-patterning ground wefts and plain interlacings of secondary binding warps and some self-patterning ground wefts.

Panel, c. 1735

A work made of silk, warp-float faced satin weave with supplementary patterning warps and self-patterned by ground weft floats and areas of plain weve; woven on loom with jacquard attachment.

Fragment, 1830/50

Gertrude Rapp

A work made of stencil.

The Search for Human Resources in Germany, March 1944

Kukryniksy

A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

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