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A work made of center of silk and cotton, warp-float faced 3:1 's' twill weave; patterned areas of cotton, weft-float faced 1:3 's' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 's' twill interlacings; main warp fringe; attached side borders of cotton and wool, weft-float faced 2:2 'z' twill weave with supplementary patterning wefts bound in weft-float faced 1:3 'z' twill interlacings; added fringe; woven on loom with jacquard attachment.

Long Shawl, 1815/20

A work made of paper with sepia ink; silk.

Book of Silk Braids, 1601/50

A work made of silk, plain weave; beaded; lined with silk, plain weave; steel frame; carved bone handle.

Parasol, c.1850

A work made of gelatin silver print.

Fashion Study, Woman in Lattice Doorway, 1934/40

Dora Maar

A work made of mahogany, american sweetgum, yellow pine, and northern white cedar.

Dressing Table, 1760–90

Artist unknown

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884

Georges Seurat

Portrait of white man dressed in all black with medallion and sword.

Amédée-David, the Comte de Pastoret, 1823–26

Jean Auguste Dominique Ingres

A work made of oil on panel.

Portrait of Magdalena of Saxony, Wife of Elector Joachim II of Brandenburg, c. 1529

Lucas Cranach the Elder

A work made of mezzotint with touches of engraving in black on off-white laid paper.

The New Fashioned Phaeton, 1776

Philip Dawe

A work made of silk, satin weave with supplementary patterning warps and pile warps forming cut voided velvet.

Fragment, 1838/1855

Gertrude Rapp

A work made of oil on canvas.

Lady at Her Toilette, Late 1740s

Pietro Longhi

A work made of hand-colored etching on ivory wove paper.

The Fashionable Mamma, or, The Convenience of Modern Dress, published February 15, 1796

James Gillray

A work made of silk, weft-faced plain weave; embroidered with silk and metal threads in couched, satin and outline stitches.

Stomacher, 17th century

A work made of color woodblock print; koban.

The Sixth Month (Minatsuki), from the series "Fashionable Twelve Months (Furyu juniko)", c. 1779

Torii Kiyonaga

A work made of hard-paste porcelain with polychrome enamel decoration.

Lovers in an Arbour, c. 1759

Johann Fredrich Lück

A work made of oil on panel.

Girl Standing before a Mirror, 1668

Caspar Netscher

A work made of linen, plain weave; embroidered with linen threads in back stitch and powdering of back stitches known as point de sable.

Cap, 18th century

Sepia-toned photograph. A person with short, cropped hair wearing a fedora and formal riding gear stands in front of a brick wall, hands in their pockets, face cocked upwards and smiling. There is a small cutout photograph of a dog and a decorative metal gate with flowers in the background,

Riding Habit, 1939

James VanDerZee

A work made of book with lithographs and lithographed text in black on cream wove paper.

Old-Fashioned Love (Starinnaia Liubov), 1912

Mikhail Fedorovich Larionov

A young woman in a dark hat and coat with light ruffled collar sits reading a large periodical held up in her gloved hands. Flowers and foliage are suggested behind her.

Woman Reading, 1880–82

Édouard Manet

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