Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of oil on canvas.

Toning the Bell, 1874

Walter Shirlaw

A work made of lithograph on ivory wove paper.

Nude Portrait of Gertrude Abercrombie, 1935

Ivan Albright

A work made of oil on canvas.

Mount Equinox, Winter, 1921

Rockwell Kent

A work made of copper-plated cast iron in metal frame.

Elevator Frieze Panel from the Chicago Stock Exchange Building, 1893-94

Adler & Sullivan, Architects

Black charcoal drawing of two field workers with scythe.

Harvest Talk, 1953

Charles White

A work made of oil on canvas.

Living Rooms: NorthEast, with lights, action, 2003–05

Julia Fish

A work made of oil on canvas.

Study of Two Bedouins, 1905–6

John Singer Sargent

A work made of gelatin silver print.

Stouffer's Restaurant, Chicago, 1980

Thomas Frederick Arndt

A work made of gelatin silver print.

Cadillac, Chicago, c. 1959

Robert Frank

A work made of photocollage.

Chicago, 1969

Kenneth Josephson

Stencil Section from the Chicago Stock Exchange Trading Room

Stencil Section from the Chicago Stock Exchange Trading Room, 1893-94

Adler & Sullivan, Architects

A work made of gelatin silver contact print.

Chicago, 1948

Harry Callahan

Watercolor landscape, attached to a board, of numerous white buildings with flat roofs, blue mountains in the distance.

Tetuan, Morocco, 1923

George Elmer Browne

A work made of gelatin silver print.

Eleanor, Chicago, 1958

Harry Callahan

A work made of color lithograph on three sheets of cream wove paper, laid down on fabric support.

Art Institute by the Elevated Lines, c. 1924

Willard Frederic Elms

A work made of graphite and ink on linen.

Peter Fortune, Residence: West Elevation, 1909/10

Howard Van Doren Shaw

A work made of gelatin silver print.

Chicago, 1956, printed 1970s

Harry Callahan

A work made of bronze.

The Vow of Vengeance, 1894

Hermon Atkins MacNeil

A work made of lithograph on off-white wove paper.

Show Case Doll, 1954

Ivan Albright

A work made of gelatin silver print.

Chicago, 1980

Kenneth Josephson

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