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  • Art Institute Chicago
  • Harvard art museum
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A work made of lithograph on ivory wove paper.

Nude Portrait of Gertrude Abercrombie, 1935

Ivan Albright

A work made of gelatin silver print.

Eleanor, Chicago, 1958

Harry Callahan

A work made of gelatin silver print.

Chicago, 1956, printed 1970s

Harry Callahan

A work made of oil on canvas.

Mount Equinox, Winter, 1921

Rockwell Kent

A work made of copper-plated cast iron in metal frame.

Elevator Frieze Panel from the Chicago Stock Exchange Building, 1893-94

Adler & Sullivan, Architects

A work made of gelatin silver print.

Chicago, 1980

Kenneth Josephson

A work made of gelatin silver print.

Chicago, 1974

Bob Thall

A work made of terracotta, red-figure.

Oinochoe (Pitcher), end of 4th century BCE

Mattinata Painter

A work made of oil on canvas.

Living Rooms: NorthEast, with lights, action, 2003–05

Julia Fish

Black charcoal drawing of two field workers with scythe.

Harvest Talk, 1953

Charles White

A work made of oil on canvas.

Study of Two Bedouins, 1905–6

John Singer Sargent

Stencil Section from the Chicago Stock Exchange Trading Room

Stencil Section from the Chicago Stock Exchange Trading Room, 1893-94

Adler & Sullivan, Architects

A work made of color lithograph on three sheets of cream wove paper, laid down on fabric support.

Art Institute by the Elevated Lines, c. 1924

Willard Frederic Elms

A work made of graphite and ink on linen.

Peter Fortune, Residence: West Elevation, 1909/10

Howard Van Doren Shaw

A work made of bronze.

The Vow of Vengeance, 1894

Hermon Atkins MacNeil

Watercolor landscape, attached to a board, of numerous white buildings with flat roofs, blue mountains in the distance.

Tetuan, Morocco, 1923

George Elmer Browne

A work made of lithograph on off-white wove paper.

Show Case Doll, 1954

Ivan Albright

A work made of graphite and watercolor on paper.

View of the Proposed Civic Center Plaza and Buildings, The 1909 Plan of Chicago, 1908

Daniel Hudson Burnham

A work made of cotton and rayon, weft-float faced satin weave; screen printed.

Escape, 1950s

Madeline Tourtelot

A work made of graphite, watercolor, and gouache on illustration board.

Empire Room Lobby, Palmer House Hotel, Chicago, Illinois, Interior Perspective, 1925

Holabird and Roche

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