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A work made of oil on hardboard.

Self-Portrait (No. 13), 1982

Ivan Albright

A work made of color lithograph on white wove paper.

Execo, 1983

Ed Paschke

A work made of wrought iron, bolted to wall-mounted frame.

Rookery Building, 209 South La Salle Street, Chicago, Illinois: Grille from Interior Central Court, c. 1885/88 Removed during 1905–1907 renovation

Burnham and Root

A work made of oil on canvas.

To the Dance (Apaches), 1919

Léon Gaspard

Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.

The Bewitched Mill, 1913

Franz Marc

A work made of painted plaster.

Tavern Club: Male Head, c. 1937

Lora Marx

A work made of oil on hardboard.

Self-Portrait (No. 3), 1981

Ivan Albright

A sparsely painted waterside scene in dark tones with minimal ghostly shapes suggesting ships, yellow glitches of paint for light reflections, and the orb of an orange moon overhead.

Nocturne: Blue and Gold—Southampton Water, 1872

James McNeill Whistler

A work made of gelatin silver print.

Barbara with Mask, Chicago, c. 1955

Harry Callahan

A bronze lion, on the cusp of a roar, seems to step forward on its pedastal in front of the Art Institute of Chicago.

Lion (One of a Pair, North Pedestal), 1893

Edward Kemeys

A rough sketch in green ink of a building interior drawn in one-point perspective. Arrows and text throughout the image annotate the scene.

Art Institute of Chicago Addition, Concept Sketch Perspective, 2001

Renzo Piano

A work made of gelatin silver print.

Chicago, 1946

Harry Callahan

A work made of oil on canvas.

Brooklyn Bridge, 1899

Henry Ward Ranger

A work made of charcoal, black crayon, and graphite on hardboard.

Self-Portrait (No. 17), June 1983

Ivan Albright

Oil portrait with man in suit, dim green background.

Henry Ossawa Tanner, c. 1896

Hermann Dudley Murphy

A work made of graphite on paper.

Plate 119 from The Plan of Chicago, 1909: Chicago. Sketch Plan of the Intersection of Michigan Avenue and Twelfth Street, 1907

Daniel Hudson Burnham

A work made of copper plate for drypoint.

Self-Portrait - The Last Etching, n.d.

Ivan Albright

A work made of oil on canvas.

Bailey's Beach, Newport, R.I., 1901

Childe Hassam

A wall fragment with five metal grill panels—two small horizontal rectangular panels at the top and three larger vertical ones on the bottom. Vertical bars dominate the design, with cross bars forming 90-degree angles. The upper and lower registers of the three large panels feature geometric designs.

Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois, 1894

Louis H. Sullivan

A work made of gelatin silver print.

2033 Prairie Avenue, Chicago, 1946

Walker Evans

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