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A work made of painted plaster.

Tavern Club: Male Head, c. 1937

Lora Marx

A work made of oil on hardboard.

Self-Portrait (No. 13), 1982

Ivan Albright

View from the middle of a train station looking down three different corridors. Tunnels are marked with the names of southern cities to the left, northern to the right. Light-skinned travelers, many in fine dress, head left, while dark-skinned travelers, many encumbered by luggage, head right.

Train Station, 1935

Walter Ellison

A work made of oil on canvas.

To the Dance (Apaches), 1919

Léon Gaspard

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Painting with Green Center, 1913

Vasily Kandinsky

A work made of oil on hardboard.

Self-Portrait (No. 3), 1981

Ivan Albright

A bronze lion, on the cusp of a roar, seems to step forward on its pedastal in front of the Art Institute of Chicago.

Lion (One of a Pair, North Pedestal), 1893

Edward Kemeys

A rough sketch in green ink of a building interior drawn in one-point perspective. Arrows and text throughout the image annotate the scene.

Art Institute of Chicago Addition, Concept Sketch Perspective, 2001

Renzo Piano

A work made of charcoal, black crayon, and graphite on hardboard.

Self-Portrait (No. 17), June 1983

Ivan Albright

Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right. Red water wheel at left, angular blue and white cityscape top at left, tree top at right.

The Bewitched Mill, 1913

Franz Marc

A work made of gelatin silver print.

Barbara with Mask, Chicago, c. 1955

Harry Callahan

A work made of graphite on paper.

Plate 119 from The Plan of Chicago, 1909: Chicago. Sketch Plan of the Intersection of Michigan Avenue and Twelfth Street, 1907

Daniel Hudson Burnham

A sparsely painted waterside scene in dark tones with minimal ghostly shapes suggesting ships, yellow glitches of paint for light reflections, and the orb of an orange moon overhead.

Nocturne: Blue and Gold—Southampton Water, 1872

James McNeill Whistler

A work made of oil on canvas.

Brooklyn Bridge, 1899

Henry Ward Ranger

A work made of gelatin silver print.

Chicago, 1946

Harry Callahan

A work made of copper plate for drypoint.

Self-Portrait - The Last Etching, n.d.

Ivan Albright

Oil portrait with man in suit, dim green background.

Henry Ossawa Tanner, c. 1896

Hermann Dudley Murphy

A work made of colored ink and paint on a printed map.

Plate 80 from The Plan of Chicago, 1909: Chicago. Diagram of City Center, Showing the Proposed Arrangement of Railroad Passenger Stations, the Complete Traction System, Including Rapid Transit, Subway, and Elevated Roads, and the Circuit Subway Line., 1909

Daniel Hudson Burnham

A work made of inkjet print.

Oak Street Beach, Chicago, from the series "Revealing Chicago" (2003-2004), April 27, 2004

Terry Evans

A wall fragment with five metal grill panels—two small horizontal rectangular panels at the top and three larger vertical ones on the bottom. Vertical bars dominate the design, with cross bars forming 90-degree angles. The upper and lower registers of the three large panels feature geometric designs.

Elevator Grille from the Chicago Stock Exchange, Chicago, Illinois, 1894

Louis H. Sullivan

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