Curator

  • Art Institute Chicago
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A work made of graphite, watercolor, and gouache on illustration board.

Empire Room Lobby, Palmer House Hotel, Chicago, Illinois, Interior Perspective, 1925

Holabird and Roche

A work made of painted plaster.

Tavern Club: Female Head, c. 1937

Lora Marx

A work made of painted wood.

Auditorium Building: Column Capital and Portion of a Frieze, 1887–89

Adler & Sullivan, Architects

A work made of oil on hardboard.

Self-Portrait (No. 10), 1982

Ivan Albright

Shallow and tall painting tightly focused on a black paneled door, a wreath of dying flowers hanging on it and a hand reaching to the doorknob from left.

That Which I Should Have Done I Did Not Do (The Door), 1931–41

Ivan Albright

A work made of conté crayon and charcoal with stumping on board.

Century of Progress Exposition, Travel, and Transport Building, Chicago, Illinois, Perspective, c. 1930/32

Edward Herbert Bennett

Painting of cream and brown colored house seen through a thicket of trees.

Forest at Martigues, 1908

André Derain

A work made of silk and wool, plain weave and plain weave double cloth (areas stuffed) with areas of gauze interlacing and knotting technique known as macramé (bead, flat, and half knots); crochet and cut main warp fringe.

Hanging, 1960s

Claire Zeisler

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

Painting of a light-skinned woman in dark lighting. She looks serious, has angular features, and wears a hat.

Self-Portrait, 1942

Gertrude Abercrombie

A work made of lithograph on cream wove paper.

Appears the Man, 1980

Ivan Albright

Painting of four figures against a background of black, yellow, orange, and red.

Three Pierrots and Harlequin, 1914

Albert Bloch

A work made of oil on canvas.

Grey and Silver: Old Battersea Reach, 1863

James McNeill Whistler

A work made of carved limestone, bas relief.

Ogden Avenue Bridge House Panel, Chicago, Illinois, 1932 (demolished about 1994)

Scipione Del Campo

A work made of jute and wool.

Breakwater, 1968

Claire Zeisler

A work made of transfer drawing in brown and black ink (recto) and graphite and red chalk (verso) on cream wove paper trimmed and perimeter mounted on cream laid paper.

Nativity (Mother and Child Surrounded by Five Figures), c. 1902

Paul Gauguin

A work made of inkjet print.

North Avenue Beach, Chicago, from the series, “Revealing Chicago” (2003-04), June 24, 2003

Terry Evans

A work made of bronze.

The Sun Vow, Modeled 1898, cast 1901

Hermon Atkins MacNeil

A work made of charcoal and ink wash on linen.

Flatiron Building, New York, New York, Perspective, 1902

Jules Guérin

Geometric forms fragment a vertical composition containing a woodgrain table with newspapers, a guitar, and a stemmed wine glass. These objects are vividly painted within a V-shaped fragment at center. Muted, shadowlike versions of the objects appear outside it. The outline of the guitar is repeated in the V in brown, green, blue, and black alongside a fragment of brown floral wallpaper.

Abstraction (Guitar and Glass), 1913

Juan Gris

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