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A work made of dye imbibition print.

Collage, 1956/57

Harry Callahan

A work made of gelatin silver print.

Chicago, 1980

Kenneth Josephson

A work made of gelatin silver print.

Chicago, 1974

Bob Thall

A work made of painted wood.

Auditorium Building: Column Capital and Portion of a Frieze, 1887–89

Adler & Sullivan, Architects

A work made of silk and wool, plain weave and plain weave double cloth (areas stuffed) with areas of gauze interlacing and knotting technique known as macramé (bead, flat, and half knots); crochet and cut main warp fringe.

Hanging, 1960s

Claire Zeisler

Watercolor landscape, attached to a board, of numerous white buildings with flat roofs, blue mountains in the distance.

Tetuan, Morocco, 1923

George Elmer Browne

A work made of oil on canvas.

Self-Portrait, 1935

Ivan Albright

A work made of cotton, plain weave; embroidered in tent stitch.

Les Saltimbanques (The Entertainers), 1972/74

Gloria DiTomaso

A work made of oil on hardboard.

Self-Portrait (No. 10), 1982

Ivan Albright

A work made of conté crayon and charcoal with stumping on board.

Century of Progress Exposition, Travel, and Transport Building, Chicago, Illinois, Perspective, c. 1930/32

Edward Herbert Bennett

A work made of carved limestone, bas relief.

Ogden Avenue Bridge House Panel, Chicago, Illinois, 1932 (demolished about 1994)

Scipione Del Campo

A work made of portfolio cover.

Portfolio Cover for Serigraphs by Students of the Art Institute of Chicago, 1966

School of the Art Institute of Chicago

A work made of lithograph on cream wove paper.

Appears the Man, 1980

Ivan Albright

Painting of cream and brown colored house seen through a thicket of trees.

Forest at Martigues, 1908

André Derain

A work made of jute and wool.

Breakwater, 1968

Claire Zeisler

A work made of inkjet print.

North Avenue Beach, Chicago, from the series, “Revealing Chicago” (2003-04), June 24, 2003

Terry Evans

Painting of a light-skinned woman in dark lighting. She looks serious, has angular features, and wears a hat.

Self-Portrait, 1942

Gertrude Abercrombie

Shallow and tall painting tightly focused on a black paneled door, a wreath of dying flowers hanging on it and a hand reaching to the doorknob from left.

That Which I Should Have Done I Did Not Do (The Door), 1931–41

Ivan Albright

Painting of four figures against a background of black, yellow, orange, and red.

Three Pierrots and Harlequin, 1914

Albert Bloch

A work made of portfolio of prints (25) of various media.

Photographs from Class of '74, c. 1974

School of The Art Institute of Chicago, Graduate Photography Class of 1974

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