Curator

  • Art Institute Chicago
  • Harvard art museum
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A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver prints.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Virtual Volume Exercise, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of brown ballpoint pen on cream wove paper.

Monument to a Hard Roll, 1960s

Art Green

A Monument to Social Security

A Monument to Social Security, 1960s

Art Green

A work made of offset lithograph on white wove paper.

When Racism & Sexism Are No Longer Fashionable, What Will Your Art Collection Be Worth?, 1989

Guerrilla Girls

A work made of gelatin silver print.

Horse with Art Nouveau Man, 1925/85

Clarence John Laughlin

A work made of cor-ten and stainless steel.

Clothespin, 1975

Claes Oldenburg

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

A work made of engraving in black on cream laid paper.

Arithmetic, plate 25 from Arts and Sciences, c. 1465

Master of the E-Series Tarocchi

Painting of a prominent orange-red circle imposed on the center of a canvas depicting a grove of trees behind a stone wall and an orange-red sky in gradient.

The Banquet, 1958

René Magritte

A work made of book with color off-set lithographs on ivory wove paper.

Hairy Who, 1968

The Hairy Who (Art Green, Gladys Nilsson, Jim Nutt, Jim Falconer, Suellen Rocca, and Karl Wirsum)

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