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A work made of collotype, from the portfolio "robert demachy".

Le Pont des Arts, 1879/1914

Robert Demachy

A work made of engraving, with etching, on cream laid paper.

Art of Writing, from Encyclopédie, 1760

A. J. Defehrt

Terracotta pitcher decorated with red figures on a black background, with a slender neck and base. One side features a woman holding a fan; the reverse, a stylized fan pattern.

Oinochoe (Pitcher), end of 4th century BCE

Ancient Greek

Abstract painting, black background covered with flicks and smudges of white and other colors.

Greyed Rainbow, 1953

Jackson Pollock

Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills. At center a woman in a bright-yellow coat and skirt holds the hand of a child in red, who pulls to turn her toward the others.

Love of Winter, 1914

George Wesley Bellows

A work made of oil on canvas.

Irises, 1914–17

Claude Monet

A work made of engraving on cream laid paper.

Art of Writing, from Encyclopédie, 1760

Aubin

Abstract painting composed of a central tangle of vibrant colors—purple, pink, orange, green, red—on a mostly gray background, subtly divided into rectangular areas.

City Landscape, 1955

Joan Mitchell

A work made of pen lithograph on tan wove paper.

Plate Eight, from Long Live Fashion, Down with Art, 1919, published 1920

Max Ernst

A work made of albumen print, from "art in old paris".

91 Rue de Turenne, 1911

Jean-Eugène-Auguste Atget

A work made of gelatin silver print.

Chicago Landscape #13, 1964

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver prints.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Virtual Volume Exercise, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A work made of brush and black ink on mylar, ruled in blue pencil and graphite.

Untitled, from Hairy Who (color separation), 1968

Art Green

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

A work made of gelatin silver print.

Texture Study, Student Project, Institute of Design, Chicago, Illinois, Late 1940s

Art Sinsabaugh

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