Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Painting of a crowd of well-dressed light-skinned people in an open, snowy field surrounded by large rolling hills. At center a woman in a bright-yellow coat and skirt holds the hand of a child in red, who pulls to turn her toward the others.

Love of Winter, 1914

George Wesley Bellows

A work made of color lithograph on off-white wove paper.

WPA Art Class Painting, 1940

Eleanor Coen

A work made of oil on canvas.

Irises, 1914–17

Claude Monet

Abstract painting composed of a central tangle of vibrant colors—purple, pink, orange, green, red—on a mostly gray background, subtly divided into rectangular areas.

City Landscape, 1955

Joan Mitchell

A work made of ink, graphite, and colored pencil on mylar.

Arts Club of Chicago, 1996

John Vinci

A work made of collotype, from the portfolio "robert demachy".

Le Pont des Arts, 1879/1914

Robert Demachy

A work made of color woodblock print; hashira-e.

Komurasaki of the Miuraya and Shirai Gompachi (Miuraya Komurasaki, Shirai Gompachi), c. 1800

Kitagawa Utamaro

A work made of engraving, with etching, on cream laid paper.

Art of Writing, from Encyclopédie, 1760

A. J. Defehrt

Abstract painting of bright rectangles in various sizes, in shades of light and dark orange as well as yellow, blue, lime green, and pink. A small white, amorphous shape sits at top center.

The Golden Wall, 1961

Hans Hofmann

Wood statue of a standing Virgin Mary with a circle of stars around her head, arms crossed over her chest, robes draping off to her right, supported by a baby angel in a star-covered swaddle at the base.

Virgin of the Immaculate Conception, 1710/20

Antonio Maragliano

A light-skinned nude woman, center, struggles while a light-skinned nude man, top left, violently pulls white translucent fabric off of her. Dark red and brown textiles, a pillow, dagger, and fallen nude statue complete the scene.

Tarquin and Lucretia, 1578–80

Tintoretto

Terracotta vessel with a narrow neck and small, curved handles, areas of black indicating lost portions of a battle scene.

Amphora (Storage Jar), 340-330 BCE

Ixion Painter

Lamp with stained glass shade featuring dragonflies and shades of green, purple, brown.

Lamp with “Hanging Head Dragonfly” Shade and “Mosaic and Turtleback” Base, By 1906

Clara Driscoll

A work made of glass.

"Ruba Rombic" Vase, 1928–32

Reuben Haley

A work made of iron with inlays of gold, silver, bronze, and copper on wood base.

Lock, 1911

Frank L. Koralewsky

A work made of oil on canvas.

A Holiday, c. 1915

Edward Henry Potthast

Stately interior with cream walls and high ceilings. At left is a fireplace with a large military portrait painting above it; at right are two large windows lined with dark curtains. Modern and metallic decorative elements, including a distinctive screen panel and coffee table, mix with more traditional, antique pieces.

E-15: English Drawing Room of the Modern Period, 1930s, c. 1937

Narcissa Niblack Thorne

A work made of copper alloy.

Goldweight: Seated Figure, Mid–19th/mid–20th century

Asante

A work made of ceramic and pigment.

Bowl with Large Diamond-Shaped Area Interior with Dotted Lines and Diamonds, and Interlocking Stepped Motifs, 950–1400

Ancestral Pueblo (Anasazi)

A work made of oil on canvas.

Interior of St. Mark's, Venice, 1869

David Dalhoff Neal

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