Results for Art%20as%20a%20Weapon - Page 23 from chicago

A work made of wood, pigment, and fiber.

Figure Screen (Duein Fubara), Early 20th century

Kalabari

A work made of etching, burnished aquatint and burin on ivory laid paper.

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Side Chair, 1904

Frank Lloyd Wright

Painting of two red-and-orange flowers in the bottom half of the frame and beyond them, in the top half, reddish-brown hills.

Red Hills with Flowers, 1937

Georgia O'Keeffe

Departure of Summer, 1914

Man Ray (Emmanuel Radnitzky)

A work made of acrylic and silkscreen ink on linen.

Four Mona Lisas, 1978

Andy Warhol

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Aztec (Mexica)

A work made of offset lithograph in black on orange wove paper.

Untitled (Thou Art that Kind of Privileged...), from Inflammatory Essays, 1979/82

Jenny Holzer

A work made of wood, beads, and traces of pigment.

Female Figure with Bowl, Late 19th century

Abogunde of Ede

Autumn, c. 1914

Wilson Henry Irvine

A work made of jian ware; stoneware with dark brown "hare's fur" glaze and metal rim.

Tea Bowl, Song dynasty (960–1279), 12th/13th century

Column-Krater (Mixing Bowl), about 460 BCE

Ancient Greek

Small woman seated on a pedestal with a large human-sized drum on her head.

Female Caryatid Drum (Pinge), c. 1930-c. 1950

Senufo

Oil painting in cartoon style of gigantic, close-up brushstroke of paint, blue spatter.

Brushstroke with Spatter, 1966

Roy Lichtenstein

A work made of lithographic poster on white wove paper.

Chicago Art Exposition, 1982

Jack Tworkov

A Marine, c. 1874–75

George Inness

Summer Night in Arizona, 1944

Max Ernst

Basin Depicting a Cistern, Tower and Domed Building, 1775–1825

Talavera Poblana

An abstracted work made of irregular pieces of stretched canvas bonded together, creating a funnel shape that protrudes out to form a dark hole.

Untitled, 1960

Lee Bontecou

Figure Screen (Duein Fubara), Early 20th century

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Side Chair, 1904

Red Hills with Flowers, 1937

Departure of Summer, 1914

Four Mona Lisas, 1978

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Untitled (Thou Art that Kind of Privileged...), from Inflammatory Essays, 1979/82

Female Figure with Bowl, Late 19th century

Autumn, c. 1914

Tea Bowl, Song dynasty (960–1279), 12th/13th century

Column-Krater (Mixing Bowl), about 460 BCE

Female Caryatid Drum (Pinge), c. 1930-c. 1950

Brushstroke with Spatter, 1966

Chicago Art Exposition, 1982

A Marine, c. 1874–75

Summer Night in Arizona, 1944

Basin Depicting a Cistern, Tower and Domed Building, 1775–1825

Untitled, 1960

Paperweight, c. 1870

Figure Screen (Duein Fubara), Early 20th century

Origin of the harpoons or banderillas, plate seven from The Art of Bullfighting, 1814/16, published 1816

Side Chair, 1904

Red Hills with Flowers, 1937

Departure of Summer, 1914

Four Mona Lisas, 1978

Head of Xilonen, the Goddess of Young Maize, 1400–1500

Untitled (Thou Art that Kind of Privileged...), from Inflammatory Essays, 1979/82

Female Figure with Bowl, Late 19th century

Autumn, c. 1914

Tea Bowl, Song dynasty (960–1279), 12th/13th century

Column-Krater (Mixing Bowl), about 460 BCE

Female Caryatid Drum (Pinge), c. 1930-c. 1950

Brushstroke with Spatter, 1966

Chicago Art Exposition, 1982

A Marine, c. 1874–75

Summer Night in Arizona, 1944

Basin Depicting a Cistern, Tower and Domed Building, 1775–1825

Untitled, 1960

Paperweight, c. 1870