Results for Art%20as%20a%20Weapon - Page 25 from chicago

Major-General Henry Dearborn, 1812

Gilbert Stuart

Twentieth Century Ruin, 1932

Alexander Brook

A work made of wood, raffia, burlap, turaco feathers, guinea fowl feathers, and pigment.

Male Face Mask (Chihongo), Mid–late 19th century

Chokwe

Untitled (Psychological Morphology), 1939

Matta

A flat-lidded pale ceramic in a floral-like shape, a delicate floral motif in relief at top and on the sides.

Cloud-Shaped Pillow with Peony Scroll, Northern Song dynasty (960–1127), late 10th/early 11th century

James William Wallack, 1835–40

Charles Robert Leslie

Dancer and Gazelles, 1916

Paul Manship

Dorian Gray, 1945

Ivan Albright

A work made of wood, pigment, and fiber.

Figure Screen (Duein Fubara), Early 20th century

Kalabari

Bone-colored bowl with interior decorations of bone-colored zig-zags, diamonds, and lines on a black background, a circle at the interior base.

Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400

Ancestral Pueblo (Anasazi)

Chocolate Jar with Iron-locked Lid, 1725–75

Talavera Poblana

A work made of etching, burnished aquatint, drypoint and burin on ivory laid paper.

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting, 1814/16, published 1816

Francisco José de Goya y Lucientes

Maya, Mirror of Illusions, c. 1910

Arthur B. Davies

A work made of longquan ware; stoneware with underglaze molded decoration.

Foliate Cup and Stand, Yuan dynasty (1279–1368), 14th century

Column-Krater (Mixing Bowl), about 460 BCE

Ancient Greek

A work made of partially gilded and painted blown mold glass.

"Royal Flemish" Vase, 1889–95

Mount Washington Glass Works

A work made of 10-color screen print on paper.

We are Here: Art and Design Out of Context poster, 2011

Sonnenzimmer

Painting of two red-and-orange flowers in the bottom half of the frame and beyond them, in the top half, reddish-brown hills.

Red Hills with Flowers, 1937

Georgia O'Keeffe

A work made of charcoal with stumping and graphite on cream laid paper.

Sketches of Legs and Feet, 1917/21

John Singer Sargent

Major-General Henry Dearborn, 1812

Twentieth Century Ruin, 1932

Male Face Mask (Chihongo), Mid–late 19th century

Untitled (Psychological Morphology), 1939

Cloud-Shaped Pillow with Peony Scroll, Northern Song dynasty (960–1127), late 10th/early 11th century

James William Wallack, 1835–40

Dancer and Gazelles, 1916

Dorian Gray, 1945

Figure Screen (Duein Fubara), Early 20th century

Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400

Chocolate Jar with Iron-locked Lid, 1725–75

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting, 1814/16, published 1816

Maya, Mirror of Illusions, c. 1910

Foliate Cup and Stand, Yuan dynasty (1279–1368), 14th century

Column-Krater (Mixing Bowl), about 460 BCE

"Royal Flemish" Vase, 1889–95

We are Here: Art and Design Out of Context poster, 2011

Red Hills with Flowers, 1937

Sketches of Legs and Feet, 1917/21

A Pair of Carp, Joseon dynasty (1392–1910)

Major-General Henry Dearborn, 1812

Twentieth Century Ruin, 1932

Male Face Mask (Chihongo), Mid–late 19th century

Untitled (Psychological Morphology), 1939

Cloud-Shaped Pillow with Peony Scroll, Northern Song dynasty (960–1127), late 10th/early 11th century

James William Wallack, 1835–40

Dancer and Gazelles, 1916

Dorian Gray, 1945

Figure Screen (Duein Fubara), Early 20th century

Bowl with Bold Black-on-White Diamond and Zizgag Motifs, 950–1400

Chocolate Jar with Iron-locked Lid, 1725–75

Charles V spearing a bull in the ring at Valladolid, plate ten from The Art of Bullfighting, 1814/16, published 1816

Maya, Mirror of Illusions, c. 1910

Foliate Cup and Stand, Yuan dynasty (1279–1368), 14th century

Column-Krater (Mixing Bowl), about 460 BCE

"Royal Flemish" Vase, 1889–95

We are Here: Art and Design Out of Context poster, 2011

Red Hills with Flowers, 1937

Sketches of Legs and Feet, 1917/21

A Pair of Carp, Joseon dynasty (1392–1910)