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A work made of oil on canvas.

The Powerhouse, Falls Village, Connecticut, c. 1914

Walter Elmer Schofield

Perspective aerial drawing of Chicago's lakefront and harbor, park, and cityscape sprawling beyond the bottom of the page.

Plate 137 from The Plan of Chicago, 1909: Chicago. View of the Proposed Development in the Center of the City, from Twenty-Second Street to Chicago Avenue, Looking Towards the East Over the Civic Center to Grant Park and Lake Michigan, 1907

Daniel Hudson Burnham

A rough perspective sketch depicting a large, airy space with slender columns, floor-to-ceiling glass walls, and clusters of people.

Club de Centre Rural: Perspective Sketch, 1943

Le Corbusier (Charles-Édouard Jeanneret)

A work made of watercolor over graphite on paper.

Land Title and Trust Building with Addition, Philadelphia, Pennsylvania, Perspective Rendering, 1900 (drawing executed) 1897 (main building) 1904 (addition)

D.H. Burnham & Co.

A work made of graphite, ink, and watercolor on paper.

Carrara Glass Display Exhibition Booth, Perspective Study, 1939

George Fred Keck

An elongated rectangular window hung vertically with a rectilinear design and an orange poppy motif near the top.

Leaded Glass Window Depicting A Stylized Poppy, 1900/25

Unknown

A work made of black and red ink on linen.

Peoples Savings Bank, Cedar Rapids, Iowa, Main Floor Plan, 1909–1911

Louis H. Sullivan

A work made of graphite, watercolor, and gold ink on watercolor paper.

Saint Patrick's Church Renovation, Chicago, Illinois, Interior Elevation, 2000

Booth, Hansen & Associates

A work made of oil on canvas.

Western Industrial, 1955

Charles Sheeler

Five Principles for Greenwich South: A Model for Lower Manhattan animation

Five Principles for Greenwich South: A Model for Lower Manhattan animation, 2009

Architecture Research Office

A drawing of a building façade with two rows of window galleries, the bottom recessed, and project details noted.

First State Bank, Manlius, Illinois, Elevation, 1914

Parker Noble Berry

A work made of ink and colored pencil on tracing paper.

The Zoned House, House Studies, Aerial Perspective, 1944

Lloyd Morgan Yost

A work made of graphite on tracing paper.

Evelyn and John Garvey House, Number 1, Urbana, Illinois, Aerial Perspective, 1952

Bruce Goff

A working drawing of details for a roof and the section of a floor with an in-built bed. Multiple printed and sketched notes.

Eugene and Nancy Bavinger House, Norman, Oklahoma, Section of Suspended Bedroom Area and Detail of Cable-Strut Connection at Roof, Norman, Oklahoma, Detail Drawing, 1950–1951

Bruce Goff

A work made of gelatin silver print.

Untitled (Architectural Study), 1931

Lee Miller

A work made of ink and pencil on paper.

Chicago War Memorial Competition Entry: Perspective View, c. 1930

Bruce Goff

A work made of graphite and ink on vellum.

Marina City, Chicago, Illinois, Bedroom Unit Plan, 1961–1962

Bertrand Goldberg

A work made of wrought iron.

Lunette from the Commerce Building, Chicago, Illinois, 1885/86

Burnham and Root

A work made of marker on paper.

Health Sciences Center, Stony Brook, New York, Perspective, 1971–1973

Bertrand Goldberg Associates

A work made of pencil and ink on tracing paper.

Raymond Hilliard Center: Typical Floor Plan, 1963

Bertrand Goldberg Associates

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