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A work made of oil on canvas.

Western Industrial, 1955

Charles Sheeler

A work made of black and red ink on linen.

Peoples Savings Bank, Cedar Rapids, Iowa, Main Floor Plan, 1909–1911

Louis H. Sullivan

A work made of graphite, ink, and watercolor on paper.

Carrara Glass Display Exhibition Booth, Perspective Study, 1939

George Fred Keck

A work made of graphite, watercolor, and gold ink on watercolor paper.

Saint Patrick's Church Renovation, Chicago, Illinois, Interior Elevation, 2000

Booth, Hansen & Associates

A work made of watercolor over graphite on paper.

Land Title and Trust Building with Addition, Philadelphia, Pennsylvania, Perspective Rendering, 1900 (drawing executed) 1897 (main building) 1904 (addition)

D.H. Burnham & Co.

Perspective aerial drawing of Chicago's lakefront and harbor, park, and cityscape sprawling beyond the bottom of the page.

Plate 137 from The Plan of Chicago, 1909: Chicago. View of the Proposed Development in the Center of the City, from Twenty-Second Street to Chicago Avenue, Looking Towards the East Over the Civic Center to Grant Park and Lake Michigan, 1907

Daniel Hudson Burnham

A work made of color screenprint on cream wove paper.

Architectural Cadences, 1954

Charles Sheeler

A drawing of a building façade with two rows of window galleries, the bottom recessed, and project details noted.

First State Bank, Manlius, Illinois, Elevation, 1914

Parker Noble Berry

A work made of engraving in dark brown on ivory laid paper.

Architectural Details: Base, Capital, and Mask, c. 1515, or later

Giovanni Antonio da Brescia

A working drawing of details for a roof and the section of a floor with an in-built bed. Multiple printed and sketched notes.

Eugene and Nancy Bavinger House, Norman, Oklahoma, Section of Suspended Bedroom Area and Detail of Cable-Strut Connection at Roof, Detail Drawing, 1950–1951

Bruce Goff

A work made of graphite on tracing paper.

Evelyn and John Garvey House, Urbana, Illinois, Perspective, 1952

Bruce Goff

A work made of ink and colored pencil on tracing paper.

The Zoned House, House Studies, Aerial Perspective, 1944

Lloyd Morgan Yost

A work made of black chalk and graphite, heightened with touches of white chalk (recto) and black and red chalk (verso) on ivory laid paper prepared with a green wash.

Bacchus (recto); Architectural Sketches (verso), n.d.

Michelangelo Buonarroti

A work made of ink and pencil on paper.

Chicago War Memorial Competition Entry: Perspective View, c. 1930

Bruce Goff

A work made of graphite and ink on vellum.

Marina City, Chicago, Illinois, Bedroom Unit Plan, 1961–1962

Bertrand Goldberg

A work made of marker on paper.

Health Sciences Center, Stony Brook, New York, Perspective, 1971–1973

Bertrand Goldberg Associates

A work made of pencil and ink on tracing paper.

Raymond Hilliard Center: Typical Floor Plan, 1963

Bertrand Goldberg Associates

A drawing of six different apartment floor plans following a radial pattern that forms pie slice–shaped spaces.

River City: Typical Floor Plans, n.d.

Bertrand Goldberg

A work made of graphite on linen.

860–880 North Lake Shore Drive, Roof and Penthouse Plan and Details, 11/22/1949

Ludwig Mies van der Rohe

A work made of wrought iron.

Lunette from the Commerce Building, Chicago, Illinois, 1885/86

Burnham and Root

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