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A work made of oil on canvas.

The Powerhouse, Falls Village, Connecticut, c. 1914

Walter Elmer Schofield

Drawing of a courtyard, the facade of a building stretching beyond it clad with popsicle-shaped windows.

Sher-e-Bangla Nagar, Dhaka, Bangladesh, Inner Court Perspective, 1963

Louis Kahn

A rough perspective sketch depicting a large, airy space with slender columns, floor-to-ceiling glass walls, and clusters of people.

Club de Centre Rural: Perspective Sketch, 1943

Le Corbusier (Charles-Édouard Jeanneret)

An elongated rectangular window hung vertically with a rectilinear design and an orange poppy motif near the top.

Leaded Glass Window Depicting A Stylized Poppy, 1900/25

Unknown

Perspective aerial drawing of Chicago's lakefront and harbor, park, and cityscape sprawling beyond the bottom of the page.

Plate 137 from The Plan of Chicago, 1909: Chicago. View of the Proposed Development in the Center of the City, from Twenty-Second Street to Chicago Avenue, Looking Towards the East Over the Civic Center to Grant Park and Lake Michigan, 1907

Daniel Hudson Burnham

A work made of graphite, ink, and watercolor on paper.

Carrara Glass Display Exhibition Booth, Perspective Study, 1939

George Fred Keck

A work made of watercolor over graphite on paper.

Land Title and Trust Building with Addition, Philadelphia, Pennsylvania, Perspective Rendering, 1900 (drawing executed) 1897 (main building) 1904 (addition)

D.H. Burnham & Co.

A work made of black and red ink on linen.

Peoples Savings Bank, Cedar Rapids, Iowa, Main Floor Plan, 1909–1911

Louis H. Sullivan

A work made of graphite, watercolor, and gold ink on watercolor paper.

Saint Patrick's Church Renovation, Chicago, Illinois, Interior Elevation, 2000

Booth, Hansen & Associates

A work made of oil on canvas.

Western Industrial, 1955

Charles Sheeler

A drawing of a building façade with two rows of window galleries, the bottom recessed, and project details noted.

First State Bank, Manlius, Illinois, Elevation, 1914

Parker Noble Berry

A work made of graphite on white tracing paper.

John Garvey House Number 1, Urbana, Illinois: Aerial Perspective, 1952

Bruce Alonzo Goff

A work made of gelatin silver print.

Untitled (Architectural Study), 1931

Lee Miller

A work made of ink and colored pencil on tracing paper.

The Zoned House, House Studies, Aerial Perspective, 1944

Lloyd Morgan Yost

A working drawing of details for a roof and the section of a floor with an in-built bed. Multiple printed and sketched notes.

Gene and Nancy Bavinger House, Section of Suspended Bedroom Area and Detail of Cable-Strut Connection at Roof, Norman, Oklahoma, Detail Drawing, 1950–1951

Bruce Alonzo Goff

A work made of ink and pencil on paper.

Chicago War Memorial Competition Entry: Perspective View, c. 1930

Bruce Alonzo Goff

A work made of graphite and ink on vellum.

Marina City, Chicago, Illinois, Bedroom Unit Plan, 1961–1962

Bertrand Goldberg

A work made of marker on paper.

Health Sciences Center, Stony Brook, New York, Perspective, 1971–1973

Bertrand Goldberg Associates

A work made of wrought iron.

Lunette from the Commerce Building, Chicago, Illinois, 1885/86

Burnham and Root

A work made of pencil and ink on tracing paper.

Raymond Hilliard Center: Typical Floor Plan, 1963

Bertrand Goldberg Associates

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