Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Diana Court Clerestory Windows

Diana Court Clerestory Windows, 1929

Edgar Miller

A presentation perspective drawing for city block construction featuring two skyscraper towers and a connecting central atrium.

Block 37 Proposal, Chicago, Illinois, Perspective, 1985

Murphy/Jahn Architects

An aerial view of a house model set on a topographic map, the structure depicted as a complex network of lines and colors.

Camouflage House, Burr Ridge, Illinois, Model, 1991

Garofalo Architects

A work made of charcoal on tracing paper.

United States Post Office, Chicago, Illinois, Elevation, c. 1930

Edward Herbert Bennett

A work made of graphite, print, and zip-a-tone on vellum.

Marina City, Chicago, Illinois, Bridge Level Site Plan, 1961–62

Bertrand Goldberg

A model of a tall metallic building with a triangular void at the bottom-left portion that constitutes a third of the building's total height.

American Medical Association Building, Chicago, Illinois, Study Model, 1988

Kenzo Tange

A work made of color screenprint on cream wove paper.

Architectural Cadences, 1954

Charles Sheeler

Five Principles for Greenwich South: A Model for Lower Manhattan animation

Five Principles for Greenwich South: A Model for Lower Manhattan animation, 2009

Architecture Research Office

A work made of graphite on white tracing paper.

John Garvey House Number 1, Urbana, Illinois: Upper Level and Roof Plan, 1952

Bruce Goff

A sepia-toned aerial perspective drawing of Chicago's lakefront and the city behind it.

Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park., 1907

Daniel Hudson Burnham

An architectural model of a building made up of white composite forms resembling rhythmic skeletal fragments on a clear base.

Sur, Long Island City, New York, 2005

Hernán Díaz Alonso

Painting of a woman and an older white man holding a pitchfork, both seen from the waist up. They stand side by side with stern expressions, in front of a white house with a peaked roof.

American Gothic, 1930

Grant Wood

A work made of graphite on tracing paper.

Gene and Nancy Bavinger House, Typical Fixed Glass Mullions, Norman, Oklahoma, Detail Drawings, 1950–1951

Bruce Goff

A work made of oil on canvas.

By-Products Plants, 1923–26

Joseph Stella

A work made of various.

Adler Small House Alterations and Additions, Libertyville, Illinois, Working Drawings, 1931-33

David Adler, Architects

A work made of engraving in dark brown on ivory laid paper.

Architectural Details: Base, Capital, and Mask, c. 1515, or later

Giovanni Antonio da Brescia

A work made of colored pencil on faded diazo lineprint on paper.

Sydney H. and Geri Rodin House, Libertyville, Illinois: Exterior Perspective Showing South Elevation, c. 1961

Bruce Goff

A work made of marble.

Capital with Bull and Worker, 1100/25

Lombard

A work made of black chalk and graphite, heightened with touches of white chalk (recto) and black and red chalk (verso) on ivory laid paper prepared with a green wash.

Bacchus (recto); Architectural Sketches (verso), n.d.

Michelangelo Buonarroti

A work made of graphite and zip-a-tone on paper.

Raymond Hilliard Center, Chicago, Illinois, Site and Landscape Plan, 1963

Bertrand Goldberg Associates

<<<13141516 >>>