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A work made of pencil and ink on tracing paper.

Raymond Hilliard Center: Typical Floor Plan, 1963

Bertrand Goldberg Associates

A work made of graphite on linen.

860–880 North Lake Shore Drive, Roof and Penthouse Plan and Details, 11/22/1949

Ludwig Mies van der Rohe

A work made of ink, watercolor, and pastel on a printed map.

Plate 74 from The Plan of Chicago,1909: Chicago. Diagram of the City Center, Showing the General Location of Existing Freight Yards and Railroad Lines, the Present Tunnel System and Proposed Circuit, and Connections for all these Services, Running to the Central Clearing Yards., 1909

Daniel Hudson Burnham

A drawing of six different apartment floor plans following a radial pattern that forms pie slice–shaped spaces.

River City: Typical Floor Plans, n.d.

Bertrand Goldberg

A model of a 19-story office block and 25-story tower with green tinted glass curtain walls and stainless-steel mullions, or bars between the panes of glass.

Inland Steel Building: Model of Final Design, c. 1954/55

Skidmore, Owings & Merrill

Diana Court Clerestory Windows

Diana Court Clerestory Windows, 1929

Edgar Miller

A work made of graphite on tracing paper.

Northwest Tower, Chicago, Illinois, Perspective, c. 1928/29

Perkins, Chatten & Hammond

An aerial view of a house model set on a topographic map, the structure depicted as a complex network of lines and colors.

Camouflage House, Burr Ridge, Illinois, Model, 1991

Garofalo Architects

A work made of charcoal on tracing paper.

United States Post Office, Chicago, Illinois, Elevation, c. 1930

Edward Herbert Bennett

A presentation perspective drawing for city block construction featuring two skyscraper towers and a connecting central atrium.

Block 37 Proposal, Chicago, Illinois, Perspective, 1985

Murphy/Jahn Architects

A model of a tall metallic building with a triangular void at the bottom-left portion that constitutes a third of the building's total height.

American Medical Association Building, Chicago, Illinois, Study Model, 1988

Kenzo Tange

A work made of graphite on white tracing paper.

John Garvey House Number 1, Urbana, Illinois: Upper Level and Roof Plan, 1952

Bruce Goff

A work made of graphite, print, and zip-a-tone on vellum.

Marina City, Chicago, Illinois, Bridge Level Site Plan, 1961–62

Bertrand Goldberg

A work made of various.

Adler Small House Alterations and Additions, Libertyville, Illinois, Working Drawings, 1931-33

David Adler, Architects

A work made of graphite on tracing paper.

Gene and Nancy Bavinger House, Typical Fixed Glass Mullions, Norman, Oklahoma, Detail Drawings, 1950–1951

Bruce Goff

A sepia-toned aerial perspective drawing of Chicago's lakefront and the city behind it.

Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park., 1907

Daniel Hudson Burnham

A work made of colored pencil on faded diazo lineprint on paper.

Sydney H. and Geri Rodin House, Libertyville, Illinois: Exterior Perspective Showing South Elevation, c. 1961

Bruce Goff

An architectural model of a building made up of white composite forms resembling rhythmic skeletal fragments on a clear base.

Sur, Long Island City, New York, 2005

Hernán Díaz Alonso

A work made of pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid paper (recto), and pen and brown ink on ivory laid paper (verso).

Cavalry Skirmish (recto); Architectural Sketch (verso), 1558/59

Giorgio Vasari

A work made of oil on canvas.

By-Products Plants, 1923–26

Joseph Stella

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