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Porcelain plate with scalloped rim decorated with a border of royal blue and gold. The center is a black and white enamel depicting a female figure holding an anchor and seated on a rocky shore.

Plate from the Duke of Clarence Service, c. 1792

Worcester Porcelain Factory

A work made of lithograph in black on white wove paper.

“- My dear friend, you really don't look very well this morning. I am not speaking to you as a doctor, but as a friend. I must insist in treating you.... better than I would treat myself. I am going to apply 30 leeches to your belly and if by tomorrow you have not improved, I'll apply another sixty,” plate 8 from Les Amis, 1845

Honoré-Victorin Daumier

A work made of color woodblock print with mica.

Young Woman Applying Rouge (Portrait of Chiyofuku, a Maiko of Gion, Kyoto), 1920

Hashiguchi Goyô

Porcelain oval platter with molded scalloped edge lavishly decorated with white floral pattern with colorful elements. The central scene depicts an elephant with a rider flanked by brightly-colored flowers.

Platter, c. 1760–c. 1800

A work made of color woodblock print with white pigment around earring applied through a stencil.

Clock and Beauty, no. IV, 1964

Ito Shinsui

A work made of etching, with applied green paint, on brown mulberry paper.

Untitled, 1969

Hans Bellmer

A work made of gelatin silver print, with applied graphite.

Untitled (Nude), 1937

Victor Chalupski

Deep earthenware soup bowl with two swirly designed handles and cover topped with a flower shaped element. The bowl is decorated in black with griffin and palmette pattern on rim and with a scene in an oval depicting a running male figure in a winged helmet handing a baby over to the lady sitting on the ground.

Tureen, 1810/20

Creil Pottery

A work made of longquan ware; glazed stoneware with applied decoration.

Bowl with Central Floret, Southern Song dynasty (1127–1279), 13th century

A work made of silk, plain weave; applied feathers; card(?) structure; lining: cotton, knit.

KFB - 105, 1992

Kazimiera Frymark-Blaszczyk

A work made of stoneware with dark brown "hare's fur" glaze and molded applied decoration.

Tea Bowl with "Hare's fur" Glaze, Song dynasty (960–1279)

Pewter jug and basin, lavishly decorated with floral motives and anthropomorphic figures.

"The Arts" Ewer and Basin, 1887/89

Jules-Paul Brateau

A work made of color woodblock print; hashira-e.

Geisha Applying Makeup, c. 1781

Torii Kiyonaga

A work made of celadon-glazed stoneware with underglaze molded decoration and applied decoration in biscuit reserve.

Bowl with Boy and Swimming Fish, Yuan dynasty (1271–1368) or Ming dynasty (1368–1644)

Porcelain plate with enamel depiction of coat of arms and scalloped rim with a gold border.

Plate, c. 1750

A work made of steel, iron, brass, leather, and textile.

Field Armor for Man, c. 1520

Miniature room featuring wide-plank hardwood floors, round hooked rugs, simple wooden furnishings, and a wood-burning stove. The window frames and door frames are painted green, while the walls are a light butter yellow.

A18: Shaker Living Room, c. 1800, c. 1940

Narcissa Niblack Thorne

A work made of wool (camelid), simple looping; applied wool (camelid) braided neck edging; and unspun wool fringe.

Tunic, 200/1 B.C.

Paracas

A work made of chromogenic print, with applied acrylic and graphite.

Delay, 1989

William Anastasi

A work made of etching and aquatint, with roulette, with color applied à la poupée, on cream wove paper.

Boy Blowing Soap Bubbles, late 1868/early 1869

Édouard Manet

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