Results for Applied%20Arts%20of%20Europe

Golden covered cup with two swirly designed handles decorated with engraved arms.

Covered Cup, 1757/58

Richard Gurney

A work made of wood, parchment, copper, and pigments.

Cobra Chair, 1902

Carlo Bugatti

A work made of glass, paint, silver stain, lead.

The Hanging of Judas, c. 1520

A work made of miniature room, mixed media.

A16: Pennsylvania Drawing Room, 1761, c. 1940

Narcissa Niblack Thorne

A19: Maryland Dining Room, 1770-74, c. 1940

Narcissa Niblack Thorne

A work made of blown glass with applied decoration.

Glass, 1925/31

Cappellin and Company

A work made of soot and saliva, applied with sharpened stick and smudging, on found moiré paper.

Untitled (Geese), n.d.

James Castle

A work made of photolithograph on paper.

Similar remarks apply to Uranium 235, from General Dynamic F.U.N., 1970

Eduardo Paolozzi

E-11: English Entrance Hall of the Georgian Period, c. 1775, c. 1932

Narcissa Niblack Thorne

Porcelain plate with a blue and green leaf pattern and golden band around the rim. The central decoration depicts a male dressed-up figure in a dancing pose on a tiled floor below a beamed ceiling amidst a two-line Dutch inscription "Weg Gekke Cctionisten".

Plate, c. 1721/25

A work made of painted enamel on copper and gilded bronze mounts.

Casket with Scenes of David and Solomon, c. 1550

Pénicaud Studio

Vase, c. 1925

Jean Dunand

A work made of walnut veneered with various woods and gilt-bronze mounts.

Secretary Cabinet, c. 1775

David Roentgen

A work made of steel, brass, and leather.

Hussar's Armor, 1675/1700

E-24: French Salon of the Louis XVI Period, c. 1780, c. 1937

Narcissa Niblack Thorne

E-12: English Drawing Room of the Georgian Period, c. 1800, c. 1937

Narcissa Niblack Thorne

Stoneware roundish bowl of a glazed deep blue color with a decorative relief band.

Bowl, 1923

Emile Decoeur

E-14: English Drawing Room of the Victorian Period, 1840-70, c. 1937

Narcissa Niblack Thorne

A work made of linen plain weave embroidered in silk floss, silk chenille and gilt-metal-strip-wrapped silk; glass beads; applied braid.

Orpheus Charming the Animals, first half 17th century

A work made of ivory, brass, tempera, and gold leaf.

Covered Cup, 1757/58

Cobra Chair, 1902

The Hanging of Judas, c. 1520

A16: Pennsylvania Drawing Room, 1761, c. 1940

A19: Maryland Dining Room, 1770-74, c. 1940

Glass, 1925/31

Untitled (Geese), n.d.

Similar remarks apply to Uranium 235, from General Dynamic F.U.N., 1970

E-11: English Entrance Hall of the Georgian Period, c. 1775, c. 1932

Plate, c. 1721/25

Casket with Scenes of David and Solomon, c. 1550

Vase, c. 1925

Secretary Cabinet, c. 1775

Hussar's Armor, 1675/1700

E-24: French Salon of the Louis XVI Period, c. 1780, c. 1937

E-12: English Drawing Room of the Georgian Period, c. 1800, c. 1937

Bowl, 1923

E-14: English Drawing Room of the Victorian Period, 1840-70, c. 1937

Orpheus Charming the Animals, first half 17th century

Casket, 12th century

Covered Cup, 1757/58

Cobra Chair, 1902

The Hanging of Judas, c. 1520

A16: Pennsylvania Drawing Room, 1761, c. 1940

A19: Maryland Dining Room, 1770-74, c. 1940

Glass, 1925/31

Untitled (Geese), n.d.

Similar remarks apply to Uranium 235, from General Dynamic F.U.N., 1970

E-11: English Entrance Hall of the Georgian Period, c. 1775, c. 1932

Plate, c. 1721/25

Casket with Scenes of David and Solomon, c. 1550

Vase, c. 1925

Secretary Cabinet, c. 1775

Hussar's Armor, 1675/1700

E-24: French Salon of the Louis XVI Period, c. 1780, c. 1937

E-12: English Drawing Room of the Georgian Period, c. 1800, c. 1937

Bowl, 1923

E-14: English Drawing Room of the Victorian Period, 1840-70, c. 1937

Orpheus Charming the Animals, first half 17th century

Casket, 12th century