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A work made of black ballpoint pen and colored pencil on cream wove paper.

Great White Throne Zion National Park Angles Landing Utah, 1970

Joseph Yoakum

A work made of etching with soft ground, aquatint, drypoint and engraving on fabriano rosapina bianco paper.

Act V, Scene 4, from UBU Tells the Truth, 1996–97

William Kentridge

A work made of blue ballpoint pen, blue fountain pen, colored pencil, and pastel on cream wove paper.

Mountains in Gaza Strip of Arabia and Egypt, 1964

Joseph Yoakum

A work made of natural and synthetic fiber, wood, mirror and metal, shell, pieced from felted, knotted, and woven fabrics; printed and embroidered.

Masquerade Costume for Egungun (Paka), Late 19th/early 20th century

Yoruba

A work made of gelatin silver print.

Mother and Child in Harlem, October 18, 1943

Weegee, (Arthur Fellig)

A work made of wood and metal.

Snuff Kerrie, Probably 19th century

Northern Nguni

A work made of soft ground etching and aquatint, with flat bite, from two cut plates in black and red on ivory wove paper.

L'Abbatoire VI, 1980

Eldzier Cortor

Coffee Thyme I

Coffee Thyme I, printed 1979, published 1981

Sam Gilliam

A work made of carbon transfer, blue and black ballpoint pen, colored pencil, and pastel on cream wove paper.

Clark and Lewis Mtn Near Dover Alaska in Head Point, of Continental Divide across West Canada into Montana U.S.A. May 29 1968, 1965

Joseph Yoakum

A work made of mezzotint with etching in black and color aquatint with etching from multiple plates on ivory wove paper.

Jewels/Theme VI, 1985

Eldzier Cortor

A work made of etching and aquatint on cut plate in brown on cream wove paper.

Sepia Odalisque II, 1998

Eldzier Cortor

A work made of ink on paper.

falling event 9, 2014

Kemang Wa Lehulere

A work made of ink on paper.

grass greener on the other side 4, 2015

Kemang Wa Lehulere

A work made of gelatin silver print.

Untitled, c. 1948

Gordon Parks

A work made of etching with soft ground, aquatint, drypoint and engraving on fabriano rosapina bianco paper.

Act II, Scene 5, from UBU Tells the Truth, 1996–97

William Kentridge

Earthenware dish on a short stand decorated in blue with floral bands on a rim and on a skirted base. Central Chinese-style scene depicts birds in a floral garden. The glaze on a rim is damaged and reveals brownish earthenware material.

Afropick, 2005

Sanford Biggers

A work made of black ballpoint pen and watercolor on cream wove paper.

Mount Horeb Palestine, c. 1964

Joseph Yoakum

Black-and-white photograph of a group of older black boys in hats and work clothes loosely lined up outside a doorway. Two at front pose playfully for the camera, one with a hand on his hips, looking to the side, the other with one hand under his face, looking straight ahead.

Negro Day Laborers, Marcella Plantation, Milestone, Mississippi Delta, 1939

Marion Post Wolcott

Black-and-white portrait photograph in a gold mat and frame of a white toddler in a dress with a striped skirt seated in the lap of a young black woman in a white head covering and floral dress.

Untitled (Portrait of Woman Holding a Child), 1850

A work made of wood and pokerwork.

Headrest (Isicamelo), 19th century

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