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A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

Untitled (Garvey Day Deedee in Car)

Untitled (Garvey Day Deedee in Car), c. 1965, printed 2018

Kwame Brathwaite

A work made of inkjet print.

Love Train, 2018

D'Angelo Lovell Williams

A work made of bronze.

Friction Ridge Bench, 2023

Nifemi Marcus-Bello

A work made of gelatin silver print.

Untitled, 1960s

Kwame Brathwaite

A work made of printed matter.

Untitled (AJAS Advertisement), 1955/65

Kwame Brathwaite

A work made of book, offset lithograph.

The Role of Women in the Revolution, c. 1975

Ahmed Sékou Touré

A work made of gelatin silver print.

Untitled (Grandassa), c. 1960s

Kwame Brathwaite

A work made of chromogenic print.

Untitled (Grandassa), c. 1970s

Kwame Brathwaite

A work made of offset print.

Untitled (Poster for Naturally ‘92), 1992

Kwame Brathwaite

A work made of offset print.

Untitled (Poster for Naturally ‘70), 1970

Kwame Brathwaite

Black-and-white portrait photograph in a gold mat and frame of two young women: a seated white woman at left and standing black woman at right. The white women reaches for a clear glass on a tray held by the black woman.

Untitled (Portrait of Two Women), 1848

An abstract steel sculpture of welded metal parts suggesting a human figure with long, thin legs and a bulkier shoulder area.

Hero Construction, 1958

Richard Hunt

A work made of etching, soft ground etching, and aquatint in red on cream wove paper.

Trilogy No. II, 1989

Eldzier Cortor

A work made of gelatin silver print.

Untitled (Harlem, New York), from the series "A Man Becomes Invisible" (1952), 1952

Gordon Parks

A work made of blue ballpoint pen, colored pencil, and pastel on ivory wove paper.

American Zeppolin Flight from New York City to Paris France in Year 1939, 1969

Joseph Yoakum

A work made of softground and spitbite etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled IV, 2002

Martin Puryear

A work made of natural and synthetic fiber, wood, mirror and metal, shell, pieced from felted, knotted, and woven fabrics; printed and embroidered.

Masquerade Costume for Egungun (Paka), Late 19th/early 20th century

Yoruba

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