Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of ink on paper.

grass greener on the other side 4, 2015

Kemang Wa Lehulere

A work made of etching with soft ground, aquatint, drypoint and engraving on fabriano rosapina bianco paper.

Act II, Scene 5, from UBU Tells the Truth, 1996–97

William Kentridge

A work made of blue ballpoint pen on tan wove paper.

Alaskian Trail Betwen U.S. and Alaska, 1962/65

Joseph Yoakum

A work made of chromogenic print.

Barrage, 1998

Steve McQueen

A work made of calabash.

Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of calabash.

Crescent-and-Star-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of calabash.

Leaf-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of calabash.

Porcupine-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of calabash.

Checkerboard-Shaped Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of calabash.

Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of calabash.

Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

A work made of calabash.

Stamp for Adinkra Textile, Late 19th/mid–20th century

Asante

Pair of Anklets

Pair of Anklets, Possibly early 20th century

Igbo

A work made of raffia palm fiber and shells.

Chief’s Hat (Mpu a Nzim), Early to mid-20th century

Mbala

A work made of wood.

Pilgrim Staff (Oulle Sheikh Hussein), 20th century

Oromo

A work made of gelatin silver print.

Solidarity Day, 1968

LeRoy Henderson

A work made of gelatin silver print.

Untitled, 1965/85

Roland Freeman

A work made of carbon transfer, graphite pencil, and blue ballpoint pen on cream wove paper.

Grand Coulee Dam in Washington State, 1965

Joseph Yoakum

A work made of blue ballpoint pen, pastel, and colored pencil on ivory wove paper.

Lake Placid Near Sebering, Florida, 1966

Joseph Yoakum

A work made of color hard and soft ground etching, with drypoint on cream japanese paper, laid down on white wove paper (chine collé).

Untitled, 2001

Martin Puryear

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