Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of gelatin silver print.

8:45 p.m. Going home, Marabastad–Waterval bus: 45 minutes to the terminal, 1984

David Goldblatt

A work made of terracotta.

Storage Container, Early/mid–20th century

Kurumba

A work made of wood, pigment, and plant fibers [yuca whips modern replacements].

Owa-nganroro (Mad Stone Eater Kachina), c. 1900

Hopi Tribe

A work made of gelatin silver print.

Untitled, from the series "The Garage" (1970/80), c. 1970

Mikki Ferrill

A work made of wood, pigment, resin, and abrus seeds.

Female Figure, Early-mid 20th century

Kantana

A work made of blackened terracotta.

Container for Valuables, Early/mid–20th century

Gur

A work made of copper alloy.

Goldweight with a Geometric Pattern, 18th/early 20th century

Asante

A work made of wood and plant fibers.

Hair Comb, Early 20th century

A work made of raffia, plain weave; embroidered in overcast and stem with running stitches cut to form pile; couching.

Panel, Early/mid–20th century

Kuba

A work made of gelatin silver print.

2nd Annual Carnival Ball Benefit for the DuSable Museum of African American History, August 15, 1987

Kerry Coppin

A work made of brass.

Amulet Depicting Birds, 19th/mid–20th century

Senufo

A work made of wood.

Cup, Late 19th/early 20th century

Pende

A work made of ceramic.

Oil Lamp in the Form of a Woman's Body, 19th/20th century

Yoruba

A work made of paper collage, charcoal and paint on canvas.

Procession Canvas-Diptych, 2000

William Kentridge

A work made of terracotta and slip.

Water Container (Funjoho), Early/mid–20th century

Senufo

Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.

The Captive Slave (Ira Aldridge), 1827

John Philip Simpson

Painting of a cabin set below a dark blue sky and fluffy white clouds. Behind it is a field of many small white dots. In front, a dark-skinned woman sits and a dark-skinned child plays among roaming chickens and dogs in a fenced-in yard.

Cabin in the Cotton, c. 1931–37

Horace Pippin

A work made of jute, raffia, cowrie shells, and beads.

Pendant, 19th century

Kuba

A work made of rayon, weft-faced plain weave with supplementary and brocading weft patterning.

Kente Wrapper, 1901/50

Asante

A tall, wooden sculpture that leans against the gallery wall. A hollow box at the top is supported by two wooden branches that connect to a wheel at the bottom. The rough tree branches contrast with the refined wood of the box.

Sanctuary, 1982

Martin Puryear

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