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A work made of wood, pigment, and human hair.

Helmet Mask (Lipiko), Early to mid-20th century

Makonde

Black-and-white photograph of a black girl in profile looking out the window of log cabin, eyes partially closed, toward an open shutter covered in tattered newspaper advertisements, one featuring an image of a white woman. The girl's hair is in braids, her light shirt slightly dirty.

Girl at Gee's Bend, Alabama [Artelia Bendolph], April 1937

Arthur Rothstein

A work made of ceramic and pigment.

Figure of a Seated Chieftain, 100 BCE–250 CE

Colima

A work made of terracotta.

Storage Container, Early/mid–20th century

Turka

A work made of wood and pigment.

Female Face Mask (Gu), Early 20th century

Guro

A work made of jute, raffia, cowrie shells, and beads.

Pendant, 19th century

Kuba

A work made of wood and pigment.

Headdress (Egungun or Gelede), Early 20th century

Yoruba

A work made of gelatin silver print.

Hats and Men Cram onto Train No. 3, c. 1965

Ernest Cole

A work made of hippopotamus tooth.

Pendant, 19th/20th century

Luba

A work made of terracotta and pigment.

Water Container, Early/mid–20th century

Zarma

A work made of wood, steel, silver, enamel, and bone.

Snaphance Gun, 19th century

A work made of wood and plant fibers.

Hair Comb, Early 20th century

A black woman wearing a white shirt and black trousers looks back while dancing, arms stretched, blurry, moving towards the camera as she leans forward. Behind her, a man in an all-white suit, black sunglasses, and a hat stands wide with his hands blurry too, his mouth open like he's saying something.

Untitled, from the series "The Garage" (1970-80), 1972

Mikki Ferrill

A work made of raffia, plain weave; embroidered in running stitches cut to form pile; couching; two panels joined.

Double Panel, Possibly mid–20th century

Kuba

A work made of ceramic with pigment.

Figure of a Standing Warrior, 650–800

Maya

A work made of bronze.

Boxer, 1942

Richmond Barthé

A work made of 15 strips joined: cotton and viscose-rayon, plain weave with supplementary patterning wefts and areas of discontinuous wefts forming openwork.

Woman's Wrapper (Aso Oke), Mid–20th century

Yoruba

An oil painting of a landscape that depicts a group of six trees illuminated by a dramatic sunset in the background. The color palette is mostly warm tones in shades of red, orange, and yellow, with some streaks of dark green in the foreground and broader strokes of light green and blue for the sky in the background.

Twilight, c. 1926

Hale Woodruff

A work made of bands of cotton and wool, weft-faced, warp-ribbed plain weave, plain weave with paired warp, plain weave with supplementary brocading wefts, plain weave with supplementary patterning wefts and bands of slit tapestry weave.

Arkilla Kerka (Wedding Hanging), Mid–20th century

Fulani

A work made of oil on canvas.

The Two Disciples at the Tomb, c. 1906

Henry Ossawa Tanner

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