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Text (recto and verso), folio 4 from a Manuscript of the Guy u Chawgan by `Arifi

Text (recto and verso), folio 4 from a Manuscript of the Guy u Chawgan by `Arifi, flourished 1514-43

Calligraphy attributed to Mir Ali al Husayni

Text (recto and verso), folio 19 from a Manuscript of the Guy u Chawgan by `Arifi

Text (recto and verso), folio 19 from a Manuscript of the Guy u Chawgan by `Arifi, flourished 1514-43

Calligraphy attributed to Mir Ali al Husayni

Bahramgur hunting with Fitna (painting recto; text verso), Illustrated folio from a manuscript of Haft Paykar by Nizami.

Bahramgur hunting with Fitna (painting recto; text verso), Illustrated folio from a manuscript of Haft Paykar by Nizami.

Persian

The Final Battle of Gaw and Talhand (painting, recto; text, verso), Illustrated folio from a manuscript of the Shahnama by Firdawsi

The Final Battle of Gaw and Talhand (painting, recto; text, verso), Illustrated folio from a manuscript of the Shahnama by Firdawsi

Persian

Layla and Majnun at school (text recto; painting verso of folio 129), painting from a manuscript of the Khamsa by Nizami

Layla and Majnun at school (text recto; painting verso of folio 129), painting from a manuscript of the Khamsa by Nizami

Persian

Layla and Majnun fainted (text verso; painting recto of folio 160), painting from a manuscript of the Khamsa by Nizami”

Layla and Majnun fainted (text verso; painting recto of folio 160), painting from a manuscript of the Khamsa by Nizami”

Persian

Iskandar and the wise shepherd (text verso; painting recto of folio 162), painting from a manuscript of the Khamsa by Nizami

Iskandar and the wise shepherd (text verso; painting recto of folio 162), painting from a manuscript of the Khamsa by Nizami

Persian

Bahram and a courtly feast (text verso; painting recto of folio 210), painting from a manuscript of the Khamsa by Nizami

Bahram and a courtly feast (text verso; painting recto of folio 210), painting from a manuscript of the Khamsa by Nizami

Persian

Illuminated sarlawh of Iqbal-nama (text recto; illumination verso of folio 337), from a manuscript of the Khamsa by Nizami

Illuminated sarlawh of Iqbal-nama (text recto; illumination verso of folio 337), from a manuscript of the Khamsa by Nizami

Persian

Iskandar with the seven sages (text verso; painting recto of folio 357), painting from a manuscript of the Khamsa by Nizami

Iskandar with the seven sages (text verso; painting recto of folio 357), painting from a manuscript of the Khamsa by Nizami

Persian

The Prophet’s names (text recto; chart verso of folio 13), from a manuscript of prayers

The Prophet’s names (text recto; chart verso of folio 13), from a manuscript of prayers

Ottoman

Untitled (bleed-through of previous page, left page); Untitled (text, right page)

Untitled (bleed-through of previous page, left page); Untitled (text, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (text, right page)

Untitled (bleed-through of previous page, left page); Untitled (text, right page), 1928 - 2014

Otto Piene

Two wooden panels depicting the Virgin Mary and Christ on the Cross

The Virgin and Child Enthroned; Christ on the Cross between the Virgin and Saint John the Evangelist, active c. 1350

Master of Offida

Manuscript of the Qur’an, with lacquer binding

Manuscript of the Qur’an, with lacquer binding

Fathallah ibn Muhammad `Ali Isfahani

The Man with the Broken Nose

The Man with the Broken Nose, 1840 - 1917

Auguste Rodin

Untitled (Pocket Drawing)

Untitled (Pocket Drawing), 1933 - 2023

William Anastasi

Two women dressed in yellow and green fight over a piece of printed paper in front of a stream.

Young Women Fighting over a Theater Program, 1711 - 1785

Ishikawa Toyonobu 石川豊信

Two silver discs, which show a person in profile and several shields.

George II Half Crown

Unidentified Artist

Landscape with Two Churches in the Distance

Landscape with Two Churches in the Distance, 1614 - 1661

Jan van Aken

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