Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Bahramgur hunting with Fitna (painting recto; text verso), Illustrated folio from a manuscript of Haft Paykar by Nizami.

Bahramgur hunting with Fitna (painting recto; text verso), Illustrated folio from a manuscript of Haft Paykar by Nizami.

Persian

The Final Battle of Gaw and Talhand (painting, recto; text, verso), Illustrated folio from a manuscript of the Shahnama by Firdawsi

The Final Battle of Gaw and Talhand (painting, recto; text, verso), Illustrated folio from a manuscript of the Shahnama by Firdawsi

Persian

Layla and Majnun at school (text recto; painting verso of folio 129), painting from a manuscript of the Khamsa by Nizami

Layla and Majnun at school (text recto; painting verso of folio 129), painting from a manuscript of the Khamsa by Nizami

Persian

Layla and Majnun fainted (text verso; painting recto of folio 160), painting from a manuscript of the Khamsa by Nizami”

Layla and Majnun fainted (text verso; painting recto of folio 160), painting from a manuscript of the Khamsa by Nizami”

Persian

Iskandar and the wise shepherd (text verso; painting recto of folio 162), painting from a manuscript of the Khamsa by Nizami

Iskandar and the wise shepherd (text verso; painting recto of folio 162), painting from a manuscript of the Khamsa by Nizami

Persian

Bahram and a courtly feast (text verso; painting recto of folio 210), painting from a manuscript of the Khamsa by Nizami

Bahram and a courtly feast (text verso; painting recto of folio 210), painting from a manuscript of the Khamsa by Nizami

Persian

Illuminated sarlawh of Iqbal-nama (text recto; illumination verso of folio 337), from a manuscript of the Khamsa by Nizami

Illuminated sarlawh of Iqbal-nama (text recto; illumination verso of folio 337), from a manuscript of the Khamsa by Nizami

Persian

Iskandar with the seven sages (text verso; painting recto of folio 357), painting from a manuscript of the Khamsa by Nizami

Iskandar with the seven sages (text verso; painting recto of folio 357), painting from a manuscript of the Khamsa by Nizami

Persian

The Prophet’s names (text recto; chart verso of folio 13), from a manuscript of prayers

The Prophet’s names (text recto; chart verso of folio 13), from a manuscript of prayers

Ottoman

Untitled (bleed-through of previous page, left page); Untitled (text, right page)

Untitled (bleed-through of previous page, left page); Untitled (text, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (text, right page)

Untitled (bleed-through of previous page, left page); Untitled (text, right page), 1928 - 2014

Otto Piene

Sketchbook, (W338.1-96), 1974-1975

Sketchbook, (W338.1-96), 1974-1975, 1943 - 1987

Christopher Wilmarth

The Watermill

The Watermill, 1847 - 1906

Frits (Johan Fredrik) Thaulow

No 566 Menai Suspension Bridge From the Beach on the Anglesea Side

No 566 Menai Suspension Bridge From the Beach on the Anglesea Side, 1792 - 1872

Sir John Frederick William Herschel

Two wooden panels depicting the Virgin Mary and Christ on the Cross

The Virgin and Child Enthroned; Christ on the Cross between the Virgin and Saint John the Evangelist, active c. 1350

Master of Offida

Thomas Coffin Amory I (1767-1812)

Thomas Coffin Amory I (1767-1812), 1755 - 1828

Gilbert Stuart

The Falcon

The Falcon, 1802 - 1873

Edwin Henry Landseer

Study for the Head of Christ

Study for the Head of Christ, 1528 - 1612

Federico Barocci

Standing Male Nude, Saint John the Evangelist with a Bishop or Abbot Saint; verso: Seated Male Nude

Standing Male Nude, Saint John the Evangelist with a Bishop or Abbot Saint; verso: Seated Male Nude, 1503 - 1540

Parmigianino

Manuscript of the Qur’an, with lacquer binding

Manuscript of the Qur’an, with lacquer binding

Fathallah ibn Muhammad `Ali Isfahani

<<<89909192 >>>