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Text (recto and verso), folio 4 from a Manuscript of the Guy u Chawgan by `Arifi

Text (recto and verso), folio 4 from a Manuscript of the Guy u Chawgan by `Arifi, flourished 1514-43

Calligraphy attributed to Mir Ali al Husayni

Text (recto and verso), folio 19 from a Manuscript of the Guy u Chawgan by `Arifi

Text (recto and verso), folio 19 from a Manuscript of the Guy u Chawgan by `Arifi, flourished 1514-43

Calligraphy attributed to Mir Ali al Husayni

Bahramgur hunting with Fitna (painting recto; text verso), Illustrated folio from a manuscript of Haft Paykar by Nizami.

Bahramgur hunting with Fitna (painting recto; text verso), Illustrated folio from a manuscript of Haft Paykar by Nizami.

Persian

The Final Battle of Gaw and Talhand (painting, recto; text, verso), Illustrated folio from a manuscript of the Shahnama by Firdawsi

The Final Battle of Gaw and Talhand (painting, recto; text, verso), Illustrated folio from a manuscript of the Shahnama by Firdawsi

Persian

Layla and Majnun at school (text recto; painting verso of folio 129), painting from a manuscript of the Khamsa by Nizami

Layla and Majnun at school (text recto; painting verso of folio 129), painting from a manuscript of the Khamsa by Nizami

Persian

Layla and Majnun fainted (text verso; painting recto of folio 160), painting from a manuscript of the Khamsa by Nizami”

Layla and Majnun fainted (text verso; painting recto of folio 160), painting from a manuscript of the Khamsa by Nizami”

Persian

Iskandar and the wise shepherd (text verso; painting recto of folio 162), painting from a manuscript of the Khamsa by Nizami

Iskandar and the wise shepherd (text verso; painting recto of folio 162), painting from a manuscript of the Khamsa by Nizami

Persian

Bahram and a courtly feast (text verso; painting recto of folio 210), painting from a manuscript of the Khamsa by Nizami

Bahram and a courtly feast (text verso; painting recto of folio 210), painting from a manuscript of the Khamsa by Nizami

Persian

Illuminated sarlawh of Iqbal-nama (text recto; illumination verso of folio 337), from a manuscript of the Khamsa by Nizami

Illuminated sarlawh of Iqbal-nama (text recto; illumination verso of folio 337), from a manuscript of the Khamsa by Nizami

Persian

Iskandar with the seven sages (text verso; painting recto of folio 357), painting from a manuscript of the Khamsa by Nizami

Iskandar with the seven sages (text verso; painting recto of folio 357), painting from a manuscript of the Khamsa by Nizami

Persian

The Prophet’s names (text recto; chart verso of folio 13), from a manuscript of prayers

The Prophet’s names (text recto; chart verso of folio 13), from a manuscript of prayers

Ottoman

Untitled (bleed-through of previous page, left page); Untitled (text, right page)

Untitled (bleed-through of previous page, left page); Untitled (text, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (text, right page)

Untitled (bleed-through of previous page, left page); Untitled (text, right page), 1928 - 2014

Otto Piene

A round depiction of crowds of people, with ribbon captions above and below the scene.

The Cupola of the Church of Saint Agnes in the Piazza Navona in Rome, 1657 - 1746

Nicolas Dorigny

A man sits, leaning his head back in sorrow while approaching figures gesture toward the sky.

"And when they lifted up their eyes afar off,", 1757 - 1827

William Blake

A large hefty Rhinoceros at side view stands on the ground facing right with head lowered looking straight ahead.

Rhinoceros, 1471 - 1528

Albrecht Dürer

Print of nude woman surrounded by waves, monster, and armed man

Andromeda, 1703 - 1770

François Boucher

Untitled (Pocket Drawing)

Untitled (Pocket Drawing), 1933 - 2023

William Anastasi

Lion Devouring a Boar

Lion Devouring a Boar, 1796 - 1875

Antoine Louis Barye

Two folios of Persian poetry in safina format

Two folios of Persian poetry in safina format

Persian

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