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Landscape with a Road Leading through Rocks into a Valley

Landscape with a Road Leading through Rocks into a Valley, 1614 - 1661

Jan van Aken

Sultan Sanjar and the old woman (text recto; painting verso of folio 18), painting from a manuscript of the Khamsa by Nizami

Sultan Sanjar and the old woman (text recto; painting verso of folio 18), painting from a manuscript of the Khamsa by Nizami

Persian

Illuminated sarlawh of the Khusraw and Shirin (text recto; sarlawh verso of folio 33), sarlawh from a manuscript of the Khamsa by Nizam

Illuminated sarlawh of the Khusraw and Shirin (text recto; sarlawh verso of folio 33), sarlawh from a manuscript of the Khamsa by Nizam

Persian

Shirin looks at the portrait of Khusraw (text recto; painting verso of folio 46), painting from a manuscript of the Khamsa by Nizam

Shirin looks at the portrait of Khusraw (text recto; painting verso of folio 46), painting from a manuscript of the Khamsa by Nizam

Persian

Battle of Khusraw and Bahram Chubin (text recto; painting verso of folio 62), painting from a manuscript of the Khamsa by Nizam

Battle of Khusraw and Bahram Chubin (text recto; painting verso of folio 62), painting from a manuscript of the Khamsa by Nizam

Persian

Khusraw comes to Shirin’s palace (text recto; painting verso of folio 87), painting from a manuscript of the Khamsa by Nizami

Khusraw comes to Shirin’s palace (text recto; painting verso of folio 87), painting from a manuscript of the Khamsa by Nizami

Persian

Khusraw and Shirin making love (text recto; painting verso of folio 104), painting from a manuscript of the Khamsa by Nizami

Khusraw and Shirin making love (text recto; painting verso of folio 104), painting from a manuscript of the Khamsa by Nizami

Persian

Majnun Watches the Battle of the Clans (text verso; painting recto of folio 161), painting from a manuscript of the Khamsa by Nizami

Majnun Watches the Battle of the Clans (text verso; painting recto of folio 161), painting from a manuscript of the Khamsa by Nizami

Persian

Iskandar lassoing the Russian demon (text recto; painting verso of folio 163), painting from a manuscript of the Khamsa by Nizami

Iskandar lassoing the Russian demon (text recto; painting verso of folio 163), painting from a manuscript of the Khamsa by Nizami

Persian

Iskandar watching bathing maidens (text recto; painting verso of folio 164), painting from a manuscript of the Khamsa by Nizami

Iskandar watching bathing maidens (text recto; painting verso of folio 164), painting from a manuscript of the Khamsa by Nizami

Persian

Illuminated sarlawh of Haft Paykar (text recto; illumination verso of folio 181) sarlawh from a manuscript of the Khamsa by Nizami

Illuminated sarlawh of Haft Paykar (text recto; illumination verso of folio 181) sarlawh from a manuscript of the Khamsa by Nizami

Persian

Battle between Iskandar and Dara (text verso; painting recto of folio 262), painting from a manuscript of the Khamsa by Nizami

Battle between Iskandar and Dara (text verso; painting recto of folio 262), painting from a manuscript of the Khamsa by Nizami

Persian

Iskandar comforting the dying Dara (text recto; painting verso of folio 276), painting from a manuscript of the Khamsa by Nizami

Iskandar comforting the dying Dara (text recto; painting verso of folio 276), painting from a manuscript of the Khamsa by Nizami

Persian

Khaqan of Chin invites Iskandar (text recto; painting verso of folio 313), painting from a manuscript of the Khamsa by Nizami

Khaqan of Chin invites Iskandar (text recto; painting verso of folio 313), painting from a manuscript of the Khamsa by Nizami

Persian

The Prophet’s Mosque at Medina (painting recto, text verso of folio 19) from a manuscript of prayer

The Prophet’s Mosque at Medina (painting recto, text verso of folio 19) from a manuscript of prayer

Ottoman

Illuminated sarlawh (text recto, illuminated sarlawh verso of folio 20) from a manuscript of prayer

Illuminated sarlawh (text recto, illuminated sarlawh verso of folio 20) from a manuscript of prayer

Ottoman

Illuminated colophon (text recto, blank page verso of folio 102) from a manuscript of prayers

Illuminated colophon (text recto, blank page verso of folio 102) from a manuscript of prayers

Ottoman

Untitled (bleed-through of previous page and arrow, left page); Untitled (text, right page)

Untitled (bleed-through of previous page and arrow, left page); Untitled (text, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page with text, left page); Untitled (landscape, right page)

Untitled (bleed-through of previous page with text, left page); Untitled (landscape, right page), 1928 - 2014

Otto Piene

It's the Day for the Garden (painting, recto; text, verso), folio 173 from a manuscript of the Divan (Collection of Works) of Anvari

It's the Day for the Garden (painting, recto; text, verso), folio 173 from a manuscript of the Divan (Collection of Works) of Anvari

Ascribed to Mahesh

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