Boaters Watching a Fight, 1773 - 1828
Utagawa Toyohiro 歌川豊広
Landscape
Japanese
View of Ise Divers Processing Abalone (Ise no ama nagaawabi tsukuri no zu), 1786 - 1864
Utagawa Kunisada 歌川国貞
Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu), ? - 1830
Kitagawa Tsukimaro
Boaters Watching a Fight, 1773 - 1828
Utagawa Toyohiro 歌川豊広
Boaters Watching a Fight, 1773 - 1828
Utagawa Toyohiro 歌川豊広
Perspective View of Dancers in an Interior, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Courtesans, active about 1780 - 1801
Katsukawa Shunchō 勝川春潮
Courtesans, active about 1780 - 1801
Katsukawa Shunchō 勝川春潮
Narihira Ason shokan ryaku, active 1780 - 1800
Hosoda Eishō (Chōkōsai)
Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu), ? - 1830
Kitagawa Tsukimaro
Boaters Watching a Fight, 1773 - 1828
Utagawa Toyohiro 歌川豊広
Boaters Watching a Fight, 1773 - 1828
Utagawa Toyohiro 歌川豊広
Perspective View of Dancers in an Interior, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Narihira Ason shokan ryaku, active 1780 - 1800
Hosoda Eishō (Chōkōsai)
Landscape
Japanese
The more I see you, the more I love him., p. 101, 1804 - 1866
Paul Gavarni
I have Charity, M. le Marquis; have Faith, p. 105, 1804 - 1866
Paul Gavarni
My dear: men, what a farce! It's always the same story: a woman has only herself. Crazy! Crazy!, p. 105, 1804 - 1866
Paul Gavarni
I hear a carriage. It's M. Chose [Thing] who comes to see his treasure. You mean his treasure-keeper, my dear., p. 107, 1804 - 1866
Paul Gavarni