Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
As for me, at least I don't say that I don't like proof spirits., p. 67

As for me, at least I don't say that I don't like proof spirits., p. 67, 1804 - 1866

Paul Gavarni

The Arthur, p. 109

The Arthur, p. 109, 1804 - 1866

Paul Gavarni

Ah! Believe if you would that the man who made me a dreamer could pride himself on being a scoundrel., p. 111

Ah! Believe if you would that the man who made me a dreamer could pride himself on being a scoundrel., p. 111, 1804 - 1866

Paul Gavarni

Madame is not in! Good Lord! ... do you have 100 sous?, p. 113

Madame is not in! Good Lord! ... do you have 100 sous?, p. 113, 1804 - 1866

Paul Gavarni

Dear God! As I was born honest! Never a man who wouldn't suit me! ... who would be nothing to me!, p. 115

Dear God! As I was born honest! Never a man who wouldn't suit me! ... who would be nothing to me!, p. 115, 1804 - 1866

Paul Gavarni

I have to say that those little bootlettes there would have kept company with no small number of boots!, p. 121

I have to say that those little bootlettes there would have kept company with no small number of boots!, p. 121, 1804 - 1866

Paul Gavarni

Thursday, you dined at Vachette's, with a grand Monsieur ... That's a joke! Yes, he's the touching Némorin [Forest?] of which I am the Estelle [deer?], for a quarter of an hour. He has only one eye, that man: it's equal, he displeases me!, p. 123

Thursday, you dined at Vachette's, with a grand Monsieur ... That's a joke! Yes, he's the touching Némorin [Forest?] of which I am the Estelle [deer?], for a quarter of an hour. He has only one eye, that man: it's equal, he displeases me!, p. 123, 1804 - 1866

Paul Gavarni

Are you familiar with this cashemere? My goodness! ... The uncultured returns to the Pandour [soldier]., p. 125

Are you familiar with this cashemere? My goodness! ... The uncultured returns to the Pandour [soldier]., p. 125, 1804 - 1866

Paul Gavarni

In your place I would reproach him with all my injustices ... and that would be the end!, p. 127

In your place I would reproach him with all my injustices ... and that would be the end!, p. 127, 1804 - 1866

Paul Gavarni

Well, my dear, at the next carnival, I gave a son to him, to that animal. And so? And so he didn't want it!, p. 133

Well, my dear, at the next carnival, I gave a son to him, to that animal. And so? And so he didn't want it!, p. 133, 1804 - 1866

Paul Gavarni

The dinner of a "protector of animals": a side of beef, half of a Scottish partridge, a pint of shrimp, etc., p. 135

The dinner of a "protector of animals": a side of beef, half of a Scottish partridge, a pint of shrimp, etc., p. 135, 1804 - 1866

Paul Gavarni

Men and Women Walking in Shrine Precinct

Men and Women Walking in Shrine Precinct, 1769 - 1825

Utagawa Toyokuni 歌川豊国

View of Ise Divers Processing Abalone (Ise no ama nagaawabi tsukuri no zu)

View of Ise Divers Processing Abalone (Ise no ama nagaawabi tsukuri no zu), 1786 - 1864

Utagawa Kunisada 歌川国貞

View of Ise Divers Processing Abalone (Ise no ama nagaawabi tsukuri no zu)

View of Ise Divers Processing Abalone (Ise no ama nagaawabi tsukuri no zu), 1786 - 1864

Utagawa Kunisada 歌川国貞

Courtesans

Courtesans, active about 1780 - 1801

Katsukawa Shunchō 勝川春潮

Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu)

Courtesans Writing on Gaku as Offerings to the Temple Asakusa (Asakusa Kannon hōshoku-gaku no zu), ? - 1830

Kitagawa Tsukimaro

Boaters Watching a Fight

Boaters Watching a Fight, 1773 - 1828

Utagawa Toyohiro 歌川豊広

Boaters Watching a Fight

Boaters Watching a Fight, 1773 - 1828

Utagawa Toyohiro 歌川豊広

The Crazies

The Crazies, 1871 - 1957

František Kupka

The apartment is a gem! ... and the building, Sir! ... no children, no dogs, no pianos!

The apartment is a gem! ... and the building, Sir! ... no children, no dogs, no pianos!, 1804 - 1866

Paul Gavarni

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