Curator

  • Art Institute Chicago
  • Harvard art museum
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Earl Squanderfield Visits a Quack Apothecary

Earl Squanderfield Visits a Quack Apothecary, 1697 - 1764

Designed and engraved by (After) William Hogarth

Nicolaus Petri van Deventer

Nicolaus Petri van Deventer, 1558 - 1617

Hendrick Goltzius

Demogorgon in the Cave of Eternity

Demogorgon in the Cave of Eternity, 1558 - 1617

Hendrick Goltzius

The Grand Canyon

The Grand Canyon, 1859 - 1939

George Elbert Burr

Landscape with a Wooden Bridge

Landscape with a Wooden Bridge, c. 1503 - 1553

Augustin Hirschvogel

The Sleep of Reason Produces Monsters

The Sleep of Reason Produces Monsters, 1746 - 1828

Francisco José de Goya y Lucientes

No One Knows Himself

No One Knows Himself, 1746 - 1828

Francisco José de Goya y Lucientes

What a Golden Beak!

What a Golden Beak!, 1746 - 1828

Francisco José de Goya y Lucientes

Chinchillas

Chinchillas, 1746 - 1828

Francisco José de Goya y Lucientes

The Gothic Arch

The Gothic Arch, 1720 - 1778

Giovanni Battista Piranesi

Felix Bracquemond in 1852

Felix Bracquemond in 1852, 1843 - 1888

Paul Adolphe Rajon

The Great Hercules

The Great Hercules, 1558 - 1617

Hendrick Goltzius

The Fall of Phaeton

The Fall of Phaeton, active 1540 - 1565

Nicolas Beatrizet the Younger

Man’s Head and Woman’s Head

Man’s Head and Woman’s Head, 1500 - 1550

Sebald Beham

A Scene at the Opera

A Scene at the Opera, 1741 - 1814

Jean-Michel Moreau, called Moreau le jeune

The Blue Boat

The Blue Boat, c. 1530 - after 1572

Pieter van der Heyden

Hannah Rowe Linzee (Mrs. Thomas Coffin Amory I) (1775-1845)

Hannah Rowe Linzee (Mrs. Thomas Coffin Amory I) (1775-1845), c. 1753 - 1818

Attributed to John Johnston

Untitled (bleed-through of previous page with color transfer, left page); Untitled (notes "for Berlin" 2014 retrospective, right page)

Untitled (bleed-through of previous page with color transfer, left page); Untitled (notes "for Berlin" 2014 retrospective, right page), 1928 - 2014

Otto Piene

Ghost

Ghost, born 1955

Chen Haiyan 陳海燕

A rectangular print on off-white paper, printed in black. The top third of the work shows a workshop with workers and the bottom two-thirds displays several vessels.

Goldsmiths, born 1734

Robert Bénard

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