Carp in Rapids, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Standing Screen, Handled Box, and Rice Bowl Cover, from the series Story of the Devil, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Hunting Habit, Whip, Arrows and Fan, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Young Girl Covering Another's Eyes (See No Evil), from the series Three Monkeys (Sanko): See No Evil, Hear No Evil, Speak No Evil, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Soup Bowl on a Tray, Wine Kettle and Miniature Shochikubai (Pine-Bamboo-Plum) Arrangement, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Vase, Plum Blossoms in a Box and Strips of Paper, fl. 1799 - 1823
Ryūryūkyo Shinsai 柳々居辰斎
Saint Francis of Assisi Receiving the Stigmata, c. 1555 - 1629
Camillo Procaccini
No. 2, 3, and 4 from the series The Boulder Door of Spring (Haru no iwato), 1780-1850
Totoya Hokkei 魚屋北渓
Study for Standing Forms, 1903 - 1980
Graham Sutherland
A Man in Antique Costume, Seated in Profile to the Right, 1431 - 1506
School of Andrea Mantegna
Two Boys, 1918 - 1999
Stephen Greene
Dead Christ with Angels, 1832 - 1883
Edouard Manet
The Apparition (No. 2) (Woodlawn Plantation), 1905 - 1985
Clarence J. Laughlin
The New and the Old (Greenwood Plantation), 1905 - 1985
Clarence J. Laughlin
Love Has Become Death, 1905 - 1985
Clarence J. Laughlin
Shoot Him, Cecil, 1928 - 2022
John Wesley
American Expeditionary Forces, 1928 - 2022
John Wesley
Baren (tool used to rub the reverse of a woodblock print to in order to transfer the pigment)
Japanese
Baren (tool used to rub the reverse of a woodblock print to in order to transfer the pigment)
Japanese
Baren (tool used to rub the reverse of a woodblock print to in order to transfer the pigment)
Japanese