Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Untitled (bleed-through of previous page, left page); Untitled (notes and adhered photograph of Ernst-Reuter-Platz, right page)

Untitled (bleed-through of previous page, left page); Untitled (notes and adhered photograph of Ernst-Reuter-Platz, right page), 1928 - 2014

Otto Piene

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page)

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page), 1928 - 2014

Otto Piene

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page)

Untitled (adhered notes and sketchs with bleed-through of previous page, left page); Untitled (notes and adhered sketches, right page), 1928 - 2014

Otto Piene

Untitled (layout for duration of "Silberne Frequenz" in Münster, left page); Untitled (notes on duration of "Silberne Frequenz" in Münster, right page)

Untitled (layout for duration of "Silberne Frequenz" in Münster, left page); Untitled (notes on duration of "Silberne Frequenz" in Münster, right page), 1928 - 2014

Otto Piene

Untitled (stapled "Light Sculptures" price list atop notes, left page); Untitled (notes on prices for sculptures, right page)

Untitled (stapled "Light Sculptures" price list atop notes, left page); Untitled (notes on prices for sculptures, right page), 1928 - 2014

Otto Piene

Untitled (blank with color transfer left page); Untitled (notes and plate design with color transfer and bleed-through, right page)

Untitled (blank with color transfer left page); Untitled (notes and plate design with color transfer and bleed-through, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (color transfer and bleed-through of following page, right page)

Untitled (bleed-through of previous page, left page); Untitled (color transfer and bleed-through of following page, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (bleed-through of following page and color transfer, right page)

Untitled (bleed-through of previous page, left page); Untitled (bleed-through of following page and color transfer, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page)

Untitled (bleed-through of abstract watercolor experimentation, left page); Untitled (bleed-through of abstract watercolor experimentation, right page), 1928 - 2014

Otto Piene

Before the Painting of M. Manet: "Why the devil is this fat woman in make-up and not much else called Olympia?" "But dear, maybe it's the black cat who's called that?"

Before the Painting of M. Manet: "Why the devil is this fat woman in make-up and not much else called Olympia?" "But dear, maybe it's the black cat who's called that?", 1808-1879

Honoré-Victorin Daumier

Large Cup with Dragon-and-Cloud Decor on the Interior and with Decoration of Children Playing in a Garden on the Exterior

Large Cup with Dragon-and-Cloud Decor on the Interior and with Decoration of Children Playing in a Garden on the Exterior

Chinese

Parahi te marae (There Is the Temple)

Parahi te marae (There Is the Temple), 1848 - 1903

Paul Gauguin

Women Near a Pool

Women Near a Pool, 1822 - 1885

Rodolphe Bresdin

Figure Study of a Man

Figure Study of a Man, 1519 - 1594

Jacopo Tintoretto

Enthronment of Sultan Mehmet III, Unfinished folio from an illustrated manuscript

Enthronment of Sultan Mehmet III, Unfinished folio from an illustrated manuscript

Ottoman

The Bath of Krishna and Balarama

The Bath of Krishna and Balarama

Indian

Watercolor of a large tan field with people and buildings in the background

Sunday at Domburg, 1834 - 1903

James Abbott McNeill Whistler

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