Curator

  • Art Institute Chicago
  • Harvard art museum
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Untitled (bleed-through of previous page, left page); Untitled (rainbow mural design, right page)

Untitled (bleed-through of previous page, left page); Untitled (rainbow mural design, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (rose motif designs, right page)

Untitled (bleed-through of previous page, left page); Untitled (rose motif designs, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page)

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page)

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page)

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page), 1928 - 2014

Otto Piene

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page)

Untitled (bleed-through of previous page, left page); Untitled (design for Rosenthal plate, right page), 1928 - 2014

Otto Piene

Salih (?) Bringing Forth a Camel from a Rock (painting, verso; text, recto), folio 29 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Salih (?) Bringing Forth a Camel from a Rock (painting, verso; text, recto), folio 29 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

A Sheep Approaches Yunus to Give Him Milk (painting, verso; text, recto), folio 172 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

A Sheep Approaches Yunus to Give Him Milk (painting, verso; text, recto), folio 172 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Sulayman Looks at Balqi's Legs to See if They are Hairy (painting, verso; text, recto), folio 128 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Sulayman Looks at Balqi's Legs to See if They are Hairy (painting, verso; text, recto), folio 128 from a manuscript of the Qisas al-Anbiya (Tales of the Prophets) of Ishaq b. Ibrahim al-Nayshaburi

Ottoman

Folio 39 from an Album of Drawings and Paintings: Three sheets: women delousing children; women with European man; women with nursing child (recto); Fingernail drawing: child in classical garb (verso)

Folio 39 from an Album of Drawings and Paintings: Three sheets: women delousing children; women with European man; women with nursing child (recto); Fingernail drawing: child in classical garb (verso)

Persian

Folio 54 from an Album of Drawings and Paintings: Drawing of a hyacinth, framed by a colored paper border (recto); Layla visiting Majnun among the wild animals, framed by colored paper borders (verso)

Folio 54 from an Album of Drawings and Paintings: Drawing of a hyacinth, framed by a colored paper border (recto); Layla visiting Majnun among the wild animals, framed by colored paper borders (verso)

Persian

Folio 28 from an Album of Drawings and Paintings: Domestic scene with women and child (recto); Three sheets: female musician playing bowed instrument; embracing couple; man hawking on horseback (verso)

Folio 28 from an Album of Drawings and Paintings: Domestic scene with women and child (recto); Three sheets: female musician playing bowed instrument; embracing couple; man hawking on horseback (verso)

Persian

Folio 44 from an Album of Drawings and Paintings: Three sheets: European family gathered around a table; bearded man in semi-classical garb; three graces (recto); Blank page (verso)

Folio 44 from an Album of Drawings and Paintings: Three sheets: European family gathered around a table; bearded man in semi-classical garb; three graces (recto); Blank page (verso)

Persian

A drawing of a seated old man with a girl and a boy kneeling at his feet.

Tiriel and his Children; verso: Female Figure with the Head of a Horse, 1757 - 1827

William Blake

A naked man steps forward with raised hands as a serpent slithers at his feet

Donati Transformed into a Serpent; Francesco de'Cavalcanti Retransformed into a Man (from Dante's "Divine Comedy"), 1757 - 1827

William Blake

Sketchbook

Sketchbook, 1833 - 1898

Edward Burne-Jones

An iridescent peacock feather is delicately drawn vertically in the center of the off-white paper.

Peacock Feather, 1840 - 1930

Charles Herbert Moore

Pastel drawing of a large foamy waterfall with suggestion of greenery along the right edge of the rocks.

Niagara Falls, 1842 - 1904

Sarah Wyman Whitman

Group of Farm Buildings

Group of Farm Buildings, 1696 - 1770

Giovanni Battista Tiepolo

Pen Box with Armenian Priests and Europeans

Pen Box with Armenian Priests and Europeans

Muhammad Isma`il

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