Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations, 1924 - 1992

James Stirling

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations, 1924 - 1992

James Stirling

Drawing for the Arthur M. Sackler Museum, Cross-Sections D-D, D-D with color

Drawing for the Arthur M. Sackler Museum, Cross-Sections D-D, D-D with color, 1924 - 1992

James Stirling

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Broadway and Quincy Street Elevations

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Broadway and Quincy Street Elevations, 1924 - 1992

James Stirling

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Broadway and Quincy Street Elevations

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Broadway and Quincy Street Elevations, 1924 - 1992

James Stirling

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Broadway and Quincy Street Elevations

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Broadway and Quincy Street Elevations, 1924 - 1992

James Stirling

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations, 1924 - 1992

James Stirling

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations

Drawing for the Arthur M. Sackler Museum, Axonometric Color Study for Cambridge and Quincy Street Elevations, 1924 - 1992

James Stirling

Crucifixion Scene with Mourners; verso: Study of Antique Statue Reclining and Small Drawing of Girl's Head

Crucifixion Scene with Mourners; verso: Study of Antique Statue Reclining and Small Drawing of Girl's Head, 1796 - 1869

Carl Hermann Martini

Standing and Reclining Male Nude; verso: Offset from another drawing (Two Female Nudes)

Standing and Reclining Male Nude; verso: Offset from another drawing (Two Female Nudes), 1878 - 1964

Frank Samuel Eastman

Two Studies of Nude Boys; verso: Offset from another drawing (Two Female Nudes)

Two Studies of Nude Boys; verso: Offset from another drawing (Two Female Nudes), 1878 - 1964

Frank Samuel Eastman

Two Studies of a Seated Male Nude; verso: Offset of another drawing (Two Female Nudes)

Two Studies of a Seated Male Nude; verso: Offset of another drawing (Two Female Nudes), 1878 - 1964

Frank Samuel Eastman

Old Man with Cane in Rocky Landscape (drawing, recto; calligraphy, verso), folio from an album

Old Man with Cane in Rocky Landscape (drawing, recto; calligraphy, verso), folio from an album

Persian

An ink and opaque watercolor painting of a woman sitting on a large chair and holding a flat instrument. She is surrounded by a landscape with trees, rocks, and a building behind her. She wears a long, draped garment with a floating cloth around her.

Woman Playing a Zither (drawing, recto) after a European source; calligraphy (verso) by an unknown artist, 16th century

Basawan

Folio 51 from an Album of Drawings and Paintings: Portrait of a dervish (recto); Sacrifice of Isaac (verso)

Folio 51 from an Album of Drawings and Paintings: Portrait of a dervish (recto); Sacrifice of Isaac (verso)

Persian

Folio 8 from an Album of Drawings and Paintings: Dancer (recto); Standing youth with waterpipe (verso)

Folio 8 from an Album of Drawings and Paintings: Dancer (recto); Standing youth with waterpipe (verso)

Persian

The Celebrated Picador, Fernando del Tore, Draws the Fierce Beast On With His Pique

The Celebrated Picador, Fernando del Tore, Draws the Fierce Beast On With His Pique, 1746 - 1828

Francisco José de Goya y Lucientes

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast On with His Pique

The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast On with His Pique, 1746 - 1828

Francisco José de Goya y Lucientes

Sheet 97: From an architectural drawing (cross braces between the pillars of the dome)

Sheet 97: From an architectural drawing (cross braces between the pillars of the dome), active 1850s - 1870s

John Wood

Sheet 33: From an architectural drawing (steps to main entrances on eastern fronts)

Sheet 33: From an architectural drawing (steps to main entrances on eastern fronts), active 1850s - 1870s

John Wood

<<<105106107108 >>>