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A drawing of a walled town in the countryside close to a river.

View of Rhenen, 1620 - 1691

Aelbert Cuyp

A drawing of a woman with outstretched arms among clouds. Another figure is in the lower left corner.

The New Jerusalem Descending, 1757 - 1827

William Blake

A drawing of a cottage depicts two men and two figures working in a yard.

Cottage with a Bleaching Yard, 1624 - 1700

Lambert Doomer

A factory puffs smoke into the sky, covering the surrounding environment in a dark haze.

Pittsburgh, 1877 - 1946

Joseph Stella

The Thief

The Thief, 1722 - 1776

Gilles Demarteau

Head of a Woman Looking Up

Head of a Woman Looking Up, 1722 - 1776

Gilles Demarteau

Design for a Window with the Coat of Arms of the Ehinger Family of Ulm with Allegorical Figures of Force and Temperance

Design for a Window with the Coat of Arms of the Ehinger Family of Ulm with Allegorical Figures of Force and Temperance, 1582 - 1621

Werner Kübler the Younger

Cleopatra (after Baccio Bandinelli)

Cleopatra (after Baccio Bandinelli), 1503 - 1572

Agnolo Bronzino

An Alpine Landscape

An Alpine Landscape, 1576 - 1639

Attributed to Roelant Savery

Sketch for "The Discoverer" Fresco, Assembly Chamber, State Capitol, Albany, New York

Sketch for "The Discoverer" Fresco, Assembly Chamber, State Capitol, Albany, New York, 1824 - 1879

William Morris Hunt

The Constellation Cassiopeia (painting, recto; text, verso), folio from an Arabic manuscript of the Kitab Suwar al-Kawakib of al-Sufi

The Constellation Cassiopeia (painting, recto; text, verso), folio from an Arabic manuscript of the Kitab Suwar al-Kawakib of al-Sufi

Persian

Moses Strikes the Rock to Draw Water, from the series "Old Testament Subjects"

Moses Strikes the Rock to Draw Water, from the series "Old Testament Subjects", c. 1485 - 1546

Copy after Peter Flötner

The Celebrated Picador, Fernando del Tore, Draws the Fierce Beast On With His Pique

The Celebrated Picador, Fernando del Tore, Draws the Fierce Beast On With His Pique, 1746 - 1828

Francisco José de Goya y Lucientes

Sheet 97: From an architectural drawing (cross braces between the pillars of the dome)

Sheet 97: From an architectural drawing (cross braces between the pillars of the dome), active 1850s - 1870s

John Wood

Sheet 33: From an architectural drawing (steps to main entrances on eastern fronts)

Sheet 33: From an architectural drawing (steps to main entrances on eastern fronts), active 1850s - 1870s

John Wood

Sheet 31: From an architectural drawing (registry in gallery fronts, Hall of Representatives)

Sheet 31: From an architectural drawing (registry in gallery fronts, Hall of Representatives), active 1850s - 1870s

John Wood

Sheet 91: From an architectural drawing (brackets to support wall and the columns of the dome)

Sheet 91: From an architectural drawing (brackets to support wall and the columns of the dome), active 1850s - 1870s

John Wood

Sheet 1: Northeast view of the U.S. Capitol, after a perspective drawing by the architect

Sheet 1: Northeast view of the U.S. Capitol, after a perspective drawing by the architect, active 1850s - 1870s

John Wood

Untitled (view of women sitting around fancy drawing room with large windows)

Untitled (view of women sitting around fancy drawing room with large windows), 20th century

Martin Schweig

Untitled (interior view of large decorated drawing room with chairs, rug, and fireplace)

Untitled (interior view of large decorated drawing room with chairs, rug, and fireplace), 20th century

Martin Schweig

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