Shoulders and Chest of a Male Nude, for "Hell," Boston Public Library, 1856 - 1925
John Singer Sargent
Three Studies of a Male Forearm and Hands; verso: Figure Studies, 1856 - 1925
John Singer Sargent
Study of Mary for "Annunciation," Boston Public Library; verso: Sketch for "Crucifix," Boston Public Library, 1856 - 1925
John Singer Sargent
Study of the Angel Gabriel, for "Annunciation," Boston Public Library; verso: Studies for "Nativity" and "Annunciation," Boston Public Library, 1856 - 1925
John Singer Sargent
Study of an Angel with Architectural Decoration, 1856 - 1925
John Singer Sargent
Study for Mrs. Alice Mason, 1856 - 1925
John Singer Sargent
Standing Male Nude with Raised Arms, 1856 - 1925
John Singer Sargent
Study of a Reclining Draped Figure; verso: Three Sketches of Head and Upper Torso, 1856 - 1925
John Singer Sargent
Two Studies of a Reclining Draped Figure; verso: Studies for a Crucifixion(?), 1856 - 1925
John Singer Sargent
Sketch of a Metope Sculpture, 1856 - 1925
John Singer Sargent
Detail of a Sculptural Braid Pattern, 1856 - 1925
John Singer Sargent
Standing Male Nude with Raised Right Arm Seen from Behind, 1856 - 1925
John Singer Sargent
Lily-Pad Design, for Boston Public Library, 1856 - 1925
John Singer Sargent
Frontal View of a Statue of a Seated Bishop, San Zenone, Verona; verso: Mosaic Inscription from the Torcello Cathedral, 1856 - 1925
John Singer Sargent
Greek Kore, 1856 - 1925
John Singer Sargent
Lower Legs and Upper Base of Cellini's "Perseus," Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Rear View of the Legs and Upper Base of Cellini's "Perseus," Loggia dei Lanzi, Florence, 1856 - 1925
John Singer Sargent
Sketch of a Statue of Vertumnus in the Gardens of the Villa Falconieri, Frascati, Florence, with Latin Inscription, 1856 - 1925
John Singer Sargent
Apse Inscription in Latin from Cefalù Cathedral, Sicily, 1856 - 1925
John Singer Sargent
Detail of a Cornice; verso: Sketches of Figures, 1856 - 1925
John Singer Sargent