Curator

  • Art Institute Chicago
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A work made of color photo-etching made with two plates on white wove paper.

Fish Lure, 1970

Vera Berdich

A work made of photo lithograph in blue on cream wove paper laid down on linen.

Hospital Boats Torpedoed by the Germans, 1918

Imprimerie Berger-Levrault

A work made of photo-etching and aquatint, inked à la poupée, on ivory wove paper.

Premonition, 1966

Keith Smith

A work made of color photo-etching with hard ground etching on off-white wove paper.

Symphonic Metamorphosis #2, 1970

Vera Berdich

A work made of alpaca, california variegated mutant (hope), california variegated mutant (myth), california variegated mutant (pierson), hybrid california variegated mutant/rambouillet/cotswold/border leicester (daisy), lionhead (beatrix & derek), romeldale (january), romeldale (renault), and romney (obiwan) fibers; mawata silk and tussah silk; holographic polymers, pearl dust, and photo-luminescent recycled polyester; banana cellulose, legume cellulose, pineapple fiber, rose cellulose, and sequoioideae redwood.

E1, 2019

Channing Hansen

A work made of pen and brush and black ink, with non-photo blue and colored pencil, touches of graphite, and cut-and-pasted handwritten and photostat text on ivory card.

Come Now, Get to Work and Clean Your Rooms, from Blondie, 1958–60

Chic Young

A work made of color photo-etching, with soft ground etching and aquatint, on white wove paper.

The Devil's Picnic, 1968

Vera Berdich

A work made of color photo-etching with hard and soft ground etching on white wove paper.

Symphonic Metamorphosis #3, 1973

Vera Berdich

A work made of photo-etching, aquatint, mezzotint, scraping and burnishing in blue-black on ivory wove paper.

The Pool of Tears, 1962

Vera Berdich

Shakespeare's Comedy As You Like It

Shakespeare's Comedy As You Like It, 1909

Hugh Thomson

A work made of color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of photo-etching, aquatint, mezzotint, scraping, roulette, drypoint and burnishing in green-black on ivory wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of photo-etching, aquatint, mezzotint, roulette, and drypoint, with scraping and burnishing, in green-black on ivory wove paper.

The Pool of Tears, 1962

Vera Berdich

A work made of pen and brush and black ink, with non-photo blue pencil, touches of graphite, and white correcting fluid on ivory card.

Daddy, I'm Having Trouble with My Homework, from Blondie, 1958–60

Chic Young

A work made of pen and brush and black ink, with non-photo blue and colored pencil, graphite, and cut-and-pasted handwritten and photostat text on ivory card.

Look at the bargain, from Blondie, 1958–60

Chic Young

A work made of pen and black ink, non-photo blue pencil, white correcting fluid and letraset tapes on ivory card, with overlay in brush and red ink on tracing paper.

Untitled, left side, n.d.

Sergio Aragones

A work made of pen and brush and black ink, with touches of graphite, non-photo blue and colored pencil, and cut-and-pasted photostat text and self-adhesive halftone film on ivory card.

Oh — I forgot to tell Blondie about the insurance payment, from Blondie, 1958–60

Chic Young

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