Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of watercolor and pen and brown ink, over graphite, on cream wove paper.

Pleasant Prospect: A Day with the Stag, n.d.

John Leech

A work made of engraving on cream laid paper.

L'accord Parfait (Perfect Harmony, from Monument du Costume Physique et Moral de la fin du Dix-huitième siècle), 1777

Isidore-Stanislas Helman

A work made of brush and gray washes, with graphite, and typewritten text on ivory wove paper.

"What about the neighbors?" "What about taxes?" "The[y] don't build them like they used to." "It's just perfect but I don't think we have enough money.", n.d.

Charles Pearson

A work made of graphite on yellow tracing paper.

University of Illinois, Chicago Circle Campus, Early Campus Planning Perspective, View from the Top of the Student Union Building, 1961–1970

Skidmore, Owings & Merrill

A work made of pencil and white chalk on tracing paper, mounted on illustration board.

English Colonial Style House, Small Home Guide, Perspective, 1948

Bertram A. Weber

A work made of pencil on tracing paper mounted on illustration board.

Cape Cod Style House, Small Homes Guide, Perspective, 1948

Bertram A. Weber

A work made of graphite, colored pencil, and watercolor on paper.

Gloria and Mayer Stern House, Flossmoor, Illinois, Perspective, c. 1947

William Keck

A work made of ink on linen.

Capitol Theatre and Office Building, Melbourne, Australia, Perspective, c. 1922

Walter Burley Griffin

7 South Dearborn Street, Chicago, Illinois, Perspective View

7 South Dearborn Street, Chicago, Illinois, Perspective View, 1999

Adrian D. Smith

A work made of mixed media on white paper.

Arts Club of Chicago Proposal, Interior Perspective Collage, 1995

Krueck & Sexton Architects

A work made of ink and mixed media collage on paper.

Arts Club of Chicago Proposal, Interior Perspective Collage, 1995

Krueck & Sexton Architects

A work made of ink and mixed media collage on paper.

Arts Club of Chicago Proposal, Interior Perspective Collage, 1995

Krueck & Sexton Architects

Mitchell's Jewelers Building, Arlington Heights, Illinois, Interior Perspective

Mitchell's Jewelers Building, Arlington Heights, Illinois, Interior Perspective, c. 1984

Christopher H. Rudolph

A work made of ink on tracing paper.

Small Homes Guide, The Homecoming Home, Cutaway Perspective, 1943

Lloyd Morgan Yost

A work made of graphite on tracing paper.

Norman C. Deno House, Highland Park, Illinois, Perspective, 1945

Lloyd Morgan Yost

McCormick Place, Chicago, Illinois, Exposition Hall, Interior Perspective

McCormick Place, Chicago, Illinois, Exposition Hall, Interior Perspective, N.d.

Murphy/Jahn Architects

A work made of color woodblock print; oban.

Mutsu Province: View of Matsushima with a Distant Prospect of Mount Tomi (Mutsu, Matsushima fukei, Tomiyama chobo no ryakuzu), from the series "Famous Places in the Sixty-odd Provinces (Rokujuyoshu meisho zue)", 1853

Utagawa Hiroshige

A work made of graphite on tracing paper.

Dr. John A. Tasche Residence, Sheboygan, Wisconsin, Interior Perspective, 1960

William Ferguson Deknatel

A work made of red colored pencil on tablet paper.

Chapel, Illinois Institute of Technology, Chicago, Illinois, Exterior Perspective, c. 1949–1952

Ludwig Mies van der Rohe

A work made of graphite and ink on vellum.

Health Sciences Center, Stony Brook, New York, Aerial Perspective, c. 1974

Bertrand Goldberg

<<<41 >>>