Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of chromogenic print.

Luis and Tasha, Prospect Park, 2008, printed 2022

Jamel Shabazz

A work made of silk, warp-float faced satin weave; with self-patterning ground wefts and stripes of plain weave with supplementary patterning warps.

Panel, 1775/1800

A work made of exterior: white lacquered mdf boxes with steel plain hinge and transparent perspex; interior: multi-layered digital print drawing and 2 digital frames.

Open Shore, Competition Entry, Waterfront Masterplan Triptych, 2017

Ecosistema Urbano

A work made of book.

Dokonaly wagnerián (The Perfect Wagnerite), 1933

Ladislav Sutnar

A work made of ink on paper.

N. C. Thompson House, Rockford, Illinois, Perspective, 1876

Peter Bonnett Wight

A work made of black ink and pencil on white paper.

Travel Sketch Arkay's Evangelical Church, Budapest, Perspective, 20th cen.

John Macsai

A work made of colored ink on printed paper mounted on foamboard.

Tokyo Teleport Town, Tokyo, Japan, Exterior Perspective, 1990

Murphy/Jahn Architects

A work made of graphite on paper.

Sinai Temple Competition, Chicago, Illinois, Interior Perspective, 1994

Valerio Dewalt Train Associates

A work made of ink on tracing paper.

Small Homes Guide, Hobby House Study, Perspective, 1944

Lloyd Morgan Yost

A work made of graphite on paper.

Health Sciences Center, Stony Brook, NY, Perspective, c. 1970

Bertrand Goldberg

A work made of ink on board.

Saint Joseph's Episcopal Church, Chicago, Illinois, Perspective, n.d.

Irving Walker Colburn

A work made of colored ink on printed paper mounted on foamboard.

Tokyo Teleport Town, Tokyo, Japan, Interior Perspective, 1990

Murphy/Jahn Architects

A work made of graphite, ink, and colored pencil on tracing paper.

Bernstein Group Residential Towers, Chicago, Illinois, Perspective, 1988

Nagle Hartray and Associates

A work made of graphite pencil and colored marker on tracing paper.

Museum of Contemporary Art Proposal, Illinois Central Air-Rights East of Michigan Ave., Chicago, Illinois, Perspective Elevation, c. 1980

Harry Weese Associates

A work made of watercolor and pen and brown ink, over graphite, on cream wove paper.

Pleasant Prospect: A Day with the Stag, n.d.

John Leech

A work made of brush and gray washes, with graphite, and typewritten text on ivory wove paper.

"What about the neighbors?" "What about taxes?" "The[y] don't build them like they used to." "It's just perfect but I don't think we have enough money.", n.d.

Charles Pearson

A work made of linen and silk, plain weave; embroidered with silk in back and tent stitches.

Chair Cover, Empire period, c. 1810

A work made of graphite on yellow tracing paper.

University of Illinois, Chicago Circle Campus, Early Campus Planning Perspective, View from the Top of the Student Union Building, 1961–1970

Skidmore, Owings & Merrill

A work made of pencil on tracing paper mounted on illustration board.

Cape Cod Style House, Small Homes Guide, Perspective, 1948

Bertram A. Weber

A work made of graphite, colored pencil, and watercolor on paper.

Gloria and Mayer Stern House, Flossmoor, Illinois, Perspective, c. 1947

William Keck

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