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A work made of colored ink on printed paper mounted on foamboard.

Bangkok International Airport, Thailand, Interior Perspective, 1994

Murphy/Jahn Architects

A work made of graphite on illustration board.

Prentice Laboratory, Madison, Wisconsin, Lawn Perspective, 1959

Franz Lipp

A work made of graphite and colored pencil on tracing paper.

Low Rise Office Building Proposal, Perspective, c. 1937

Burnham and Hammond

A work made of graphite and charcoal pencil, crayon, and ink on paper.

Constance Gillis House, Bend, Oregon, Perspective, 1947

Bruce Goff

A work made of paint, watercolor, and ink on paper.

Design for Pastry Shop, Interior Perspective, N.d.

Henry Peter Glass

A work made of graphite and colored pencil on tracing paper.

Crerar Library Proposal, Chicago, Illinois, Perspective, 1980

Harry Weese Associates

A work made of colored pencil and crayon on bond paper.

Furniture Design, Wrought Iron and Orange Canvas Arm Chair, Perspective View, c. 1940s

Henry Peter Glass

A work made of pigments and metallic paint on wood.

One of a Pair of Manuscript Covers from the Perfection of Wisdom Sutra (Ashtasahasrika Prajnaparamita Sutra), c. 17th century

A work made of pencil on tracing paper.

Phi Delta Theta Fraternity House, Champaign, Illinois, Perspective, 1922

Howard Van Doren Shaw

A work made of pencil and watercolor on illustration board.

Bandshell for Maytag Park, Newton, Iowa, Perspective Rendering, 1935

Thielbar and Fugard (Firm)

A work made of graphite on tan paper.

Mountain House, Aerial Perspective Sketch, 1934

Ludwig Mies van der Rohe

A work made of chromogenic print.

Near Northampton, Massachusetts, from the series "American Prospects", November 1978, printed September 1991

Joel Sternfeld

A work made of chromogenic print.

Wet 'n Wild Aquatic Theme Park, Orlando, Florida, from the series "American Prospects", September 1980, printed April 1986

Joel Sternfeld

A work made of woodblock print (nishiki-e); ink and color on paper.

Act I (Shodan), from the series Perspective Pictures of the Storehouse of Loyal Retainers, a Primer (Uki-e Kanadahon Chushingura), c.1791-94

Kitao Masayoshi (Kuwagata Keisai)

A work made of graphite and wax/charcoal pencil on lightweight paper-board.

Mr. and Mrs. Vincent J. Sheridan House, Chicago, Illinois, Perspective View, 1940

James Edwin Quinn

A work made of pencil on tracing paper.

Good Housekeeping’s “Better Living” House for Modern Living, Exterior Perspective Sketch, 1939–1940

William Ferguson Deknatel

A work made of ink on spiral notebook drawing paper.

First National Bank Building, Chicago, Illinois, Perspective Sketches, 1964

C. F. Murphy Associates

A work made of graphite on beige wove tracing paper.

Unidentified House, Perspective and Plans, c. 1950s

A. James Speyer

A work made of chromogenic print.

Arthur Watson Hall, 51 Prospect Street, Yale University, New Haven, Connecticut, from the series "On This Site: Landscape in Memoriam", November 1995, printed September 1996

Joel Sternfeld

A work made of pencil on illustration board, chinese white highlights on acetate overlay, pencil and blue pencil notes on tracing paper overlay.

House #1, Small Homes Guide, Perspective Rendering, 1947

Bertram A. Weber

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