Curator

  • Art Institute Chicago
  • Harvard art museum
  • My Exhibition
A work made of water-based paint and airbrush, pen and black ink, over lithograph, on cream wove paper, laid down on cream laminated cardboard.

Park Avenue Tower, New York, Entrance Perspective, 1982/86

Murphy/Jahn Architects

A work made of colored pencil and pastel on toned laid paper.

Furniture Design, Molded Plywood Armchair, Perspective View, 1941

Henry Peter Glass

A work made of chromogenic print.

Bike 'n' Trike Club, Century Village, West Palm Beach, Florida, from the series "American Prospects", April 1983, printed April 1987

Joel Sternfeld

A work made of chromogenic print.

Yellowstone National Park, from the series "American Prospects", August 1979, printed May 1986

Joel Sternfeld

A work made of chromogenic print.

Pendleton, Oregon, from the series "American Prospects", June 1980, printed April 1987

Joel Sternfeld

A work made of chromogenic print.

After an Eruption of Mount St. Helens, Vancouver, Washington, from the series "American Prospects", June 1980, printed April 1986

Joel Sternfeld

A work made of chromogenic print.

The Space Shuttle Columbia Lands at Kelly Lackland Air Force Base, San Antonio, Texas, from the series "American Prospects", March 1979, printed November 1986

Joel Sternfeld

A work made of graphite on yellow tracing paper.

University of Illinois, Chicago Circle Campus, Early Campus Planning Perspective, 1961–1970

Skidmore, Owings & Merrill

A work made of chromogenic print.

The Bronx, New York (sculpture by John Ahearn and Rigoberto Torres), from the series "American Prospects", November 1982, February 1986

Joel Sternfeld

A work made of graphite on yellow tracing paper.

University of Illinois, Chicago Circle Campus, Early Campus Planning Perspective, Looking East from the Fine Arts Building Court, 1961–1970

Skidmore, Owings & Merrill

A work made of chromogenic print.

Monangahela River, Grafton, West Virginia, from the series "American Prospects", February 1983, printed January 1986

Joel Sternfeld

A work made of pen and black ink on cream wove paper.

House Studies, Court House, Perspective Sketches, c.1935

Ludwig Mies van der Rohe

A work made of graphite and colored pencil on tracing paper.

Low Rise Office Building Proposal, Perspective, c. 1937

Burnham and Hammond

A work made of colored ink on printed paper mounted on foamboard.

Bangkok International Airport, Thailand, Interior Perspective, 1994

Murphy/Jahn Architects

A work made of graphite and charcoal pencil, crayon, and ink on paper.

Constance Gillis House, Bend, Oregon, Perspective, 1947

Bruce Alonzo Goff

A work made of paint, watercolor, and ink on paper.

Design for Pastry Shop, Interior Perspective, N.d.

Henry Peter Glass

A work made of graphite and colored pencil on tracing paper.

Crerar Library Proposal, Chicago, Illinois, Perspective, 1980

Harry Weese Associates

A work made of graphite on illustration board.

Prentice Laboratory, Madison, Wisconsin, Lawn Perspective, 1959

Franz Lipp

A work made of chromogenic print.

The Penzoil Building, Houston, Texas, from the series "American Prospects", December 1978, printed November 1985

Joel Sternfeld

A work made of colored pencil and crayon on bond paper.

Furniture Design, Wrought Iron and Orange Canvas Arm Chair, Perspective View, c. 1940s

Henry Peter Glass

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