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A work made of oil pastel and graphite, with incising, on white wove paper.

Canto III 1 #124, 1978

Jerry Saltz

A work made of watercolor and brush and black wash, with powdered graphite, on off-white wove paper.

Moldy Fragments, 1975

Ed Ruscha

A work made of graphite, with traces of charcoal, on ivory wove paper.

Portrait of Abbé Jouveau, 1875

Jean Baptiste Camille Corot

A work made of dye imbibition print.

Baby's Breath Bouquet, 1976

Marie Cosindas

A work made of color lithograph on white wove paper.

Spotted Eagle Ray, 1979

Marilyn Ann McCoy

A work made of etching on paper.

Dying Soldiers by the Roadside, plate sixteen from The Miseries of War, 1633

Jacques Callot

A work made of lithograph on light buff laid paper.

The Face of a Woman, 1913

Oskar Kokoschka

A work made of etching and roulette on paper.

A California Forest, 1888

Mary Nimmo Moran

A work made of monoprint on paper.

A Te'r III, n.d.

László Düs

A work made of monoprint on white wove paper.

The Black Circle, 1979

László Düs

A work made of monoprint on white wove paper.

Untitled (Viragza's V), 1979

László Düs

A work made of collage composed of pink, black and gray wove paper.

Composition with Abstract Figure, 1961

Victor de Vasarely

A work made of ink on paper.

No. SR1140, 1964

Eduardo Chillida

A work made of drypoint and mezzotint in purple and brown ink on ivory wove paper.

School of Fontainebleau, 1968

Jirí Anderle

A work made of etching on white wove paper.

Rien ne se rabat sur 1, 1975–77

Georg Ortner

A work made of porcelain with overglaze famille verte enamel decoration.

Plate with Shou Lao (the God of Longevity), Attendant, and Deer, Qing dynasty (1644–1911), Kangxi reign mark and period (1662–1722)

A work made of etching on buff laid paper.

The Archaic Figure, 1952/54

Louise Nevelson

A work made of lithograph on cream wove paper.

The Empress, 1964

Joan Miró

A work made of relief etching on paper.

Rose, n.d.

Pierre Courtin

A work made of intaglio on tan textured mulberry, bonded to ivory paper and tan tissue underneath.

Arevalo, May 18, 1957

Pierre Courtin

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